Pablo is a visual artist, illustrator, and designer who has participated in residencies in Mexico, Argentina, and exhibited in Paris, Vienna, and Berlin. His work is driven by an anthropological search for the essence of humanity, using lines to trace the carbon-14 footprint. Pablo is inspired by both ancestral cultures and the dystopian future of communities. His themes include the earth, the sacred, rituals, nomadism, and nature’s silent, furious cry.

One of his projects, Cactumen, narrates the story of an ancient people who, after being annihilated, rose again as cacti. His art carries a warning about forgetting our origins: “We wear tribal paint on the inside of our skulls, but we’ve forgotten it.” Pablo’s work features tribal symbols and primal portraiture, aiming to reconnect us with our roots. “Drawing is a sacred animal,” reflects the artist.

His works are found in private collections both locally and internationally.

Ready Art Gallery

Cabecitas

Trained at the Academy of Arts in Havana, his work takes the values and canons of classical proportions for figurative art (specifically portraiture) and intervenes them with a form of tachisme, something he calls “Conscious Portraits, Identity, Mirror or Reflection.”

His message is obscured by smudges that violently or intentionally interrupt the figures, as if carelessly applying a layer of bitumen spread over the work.
The artist provides us with only partial information, provoking a sense of absence. There are details hidden from the viewer, but not from the artist who conceived the piece.
But why would he do something like that? Perhaps it’s a work that asks or challenges us about all that we can know from what we cannot see.
He has a strong command of oil and acrylic techniques on large formats and is influenced by new-generation artists as well as American abstract painters such as Kline, Pollock, and especially Rothko.
Many of his works are held in private collections abroad

Nacimiento

Instructor in the Textile Area at the University School of Design (EUCD) and Costume Design Workshop (EMAD). Costume designer for national theater companies and involved in exhibitions and scenic design.

The canvas becomes a stage dramatizing a curious geography through the tile. The square multiplies into endless images that duplicate, disassemble, and reassemble, transforming the landscape. A twenty by twenty tiled floor opens to a textile world, navigating endless movements and transformations. Miniature wheels traverse swirling designs and checkered patterns in patios and homes, spaces of secret pleasures. In the solitude of rooms, it plunges into labyrinths projecting dreams and fading thoughts. The tiles hold untold histories, accumulating secrets beneath the surface. The floor becomes an artificial concept, distant from its horizontal origin, exploring visual “appearances” through surreal thoughts.

En busca del pasado pisado

Lucía Liz was born in 1992 in Buenos Aires, Argentina.
She is a visual artist with numerous solo and group exhibitions worldwide.

The piece presents a complex and dense composition, where numerous human figures intertwine in a visual tumult. The predominant colors are warm skin tones mixed with strokes of cooler shades, such as blues and greens, suggesting an aquatic environment.
“Río Turbulento” evokes the idea of a constant and chaotic flow, similar to a river in the midst of a storm. The figures, appearing in various states of motion and rest, may symbolize the unpredictable and turbulent nature of life itself, with its moments of confusion, interaction, and struggle. The lack of distinction in facial and bodily details adds an element of universality, making the figures more representative of human archetypes than specific individuals.

Rio turbulento 1

Rio turbulento 3

Yaya Firpo was born in Victoria, Entre Ríos, Argentina.

He studied at the “Dr. Raúl Trucco” School of Fine Arts, obtaining degrees as a Senior Plastic Artist and Senior Professor of Visual Arts. Since 2001, he has lived in Buenos Aires, where he specialized in performing arts. He has worked as an art director and costume designer in various feature films, short films, theatrical productions, and television shows.
Since the beginning of his career in art, he has also devoted part of his time to the design and artistic direction of different carnival parades in Entre Ríos.
He has participated in various contemporary art fairs in Argentina and the United States.
In Buenos Aires, he collaborated on works by Fermín Eguía and Pablo Suárez and served as assistant to the master León Ferrari from 2002 to 2013.

“This work is part of an exhibition I am preparing, where I am working on recreations of banknotes using textiles.”

Who wants to be my Peggy Gugenheim

Rosina Peluffo lives and works in Montevideo.
She is an architect from the University of the Republic (UDELAR), a Graphic Designer from the University of Labor of Uruguay (UTU), and a Visual Artist.

Selected in the First Call for Exhibition Projects, she is exhibiting for the first time at RAG.

The work consists of a collage made up of 20 photographs, edited and engraved on an aluminum matrix. The photographs feature images related to the bone structures that form our body and contain our space of fertility, gestation, desire, and the creation of life. The uterus symbolizes the wombs of our ancestors. Each engraving reveals our ancestors and invites us to reflect on our own presence.

Replica

Claudio Domínguez Arancibia was born in 1987 in San Juan, Argentina.

A self-taught artist, he began his approach to art in 2000. He has exhibited individually and participated in numerous group shows. His works have been selected in various Argentine salons and competitions.

Selected in the First Call for Exhibition Projects, he presents his work for the first time at RAG.

Mati o sin celu

Yudi Yudoyoko is a talented and multifaceted artist who graduated from the Faculty of Fine Arts in Bandung (Indonesia).

He possesses a creative force that evokes the most poetic and sublime aspects of his expression, conveying deep feelings and thoughts. On his canvases, he masters both painting and illustration, with a personal and unique line that he has developed throughout his career. The themes of his work evoke pain, solitude, brutality, humanity, oppression, revelation, innocence, and irony.

However, he also has a phase of delicate abstraction, as well as illustrations that focus on erotic games, where he challenges boundaries around morality, the forbidden, and identity. He also employs scraping or “un-drawing” techniques to explore and express contemporary issues such as the loss of identities. His palette is rich in subtle and new colors, very different from what we are used to in the Americas.

Ready Art Gallery

collection: Modern

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