Gender — Sculpture (2026) translates the ambiguous anatomy of the original 2018 figure into three-dimensional form. Conflicting anatomical signals remain unresolved, but the marks now carry physical weight, turning line into mass and the figure into a presence within the space.
Conceived in polished black onyx, the sculpture extends Brutalist Figuration beyond the drawn surface while remaining faithful to the raw structure of the original figure.
The original Gender (2018) is published in Original Sketches: The Early Years (2018–2021).
