Following in a long tradition of art and the body, my interests lie with themes of life, health, and illness. Made from a tow bar, syringe, and red car spray paint. It has its roots in men's medical issues and manliness.

UK Artists

Private Member (Sculpture)

GYRES 2 is part of the EMBEDDED IN THE FLESH OF THE WORLD series exploring memory embodied; reactivating gestures, marks, punctuations recalling encounters with/in the world. Touching, feeling, sensing, almost belonging. Using my sensuous physicality to create with natural/manufactured, new/discarded found materials. I choose to leave the marks of my passage, my making just as those marks have been left on/within me through my encounters. I am embedded in these forms.
Thinking about spirals and time and the ability to change; of water, of earth, of space – the eddies and currents. The Weddell Sea whose waters journey across expanses of our globe created initially on the surface by winds driving sea-ice and icebergs in a clockwise vortex, forming eddies 25-37 miles across; these vast gyres generate deep water currents that transport heat around the globe.

Embedded in the Flesh of the World: Gyres of Weddell Sea 2

Mixed Media on perspex 

The rich colours portray movent in the energy of the cosmos!

Cosmic Energy

Print from Original Oil on Canvas

I have always kept horses and enjoy watching horse racing. This is from Royal Ascot which I attend every year.

Full Stretch

Mixed media on wooden board

One of my favourite things is to explore the rocks, to head out over them, not knowing where the destination may be. It's the telling of the journey, rather than the destination that is important in this piece.

Over the Rocks

Oil on Board

The painting is inspired by the fleeting nature of time and its memories. My starting point is 'time & tide wait for no man.'

A Fleeting Glympse

Mixed media on wooden board.

Living in Bristol is magical. We have the excitement of the city along side many green spaces and spacious parks. You can start a walk off in the city and end up as if you have driven to the countryside. Lots of cool pubs on route helps!

I have created this piece using layers of paper, plaster, photography and vintage book pages. It’s a cute little piece but packs a punch. I like that people get up close to my work to see the intricate details and the depth of the piece.

Country Walk

Mixed media on wooden board

Living in Bristol is magical. We have the excitement of the city along side many green spaces and spacious parks. You can start a walk off in the city and end up as if you have driven to the countryside. Lots of cool pubs on route helps!

I have created this piece using layers of paper, plaster, photography and vintage book pages. It’s a cute little piece but packs a punch. I like that people get up close to my work to see the intricate details and the depth of the piece.

City Walk

Archival Print on Canvas.

The original painting was a commission for LSA by Wetherspoons. Some of the proceeds of this print will go to the All Saints Parish Church funds.

Victoria Terrace, Leamington Spa

Paint on canvas

Inspired by fields of buttercups during no-mow May, the yellows and greens were overwhelming.

No Mow May

Hands Series no. 6

Mixed Media (Tow bar, syringe, car spray paint)

Following in a long tradition of art and the body, my interests lie with themes of life, health, and illness. Made from a tow bar, syringe, and red car spray paint, this sculpture has its roots in men's private medical issues and manliness.

Private Member

Painted from still life, the vase is from Portugal, where my parents had a holiday one year. The eucalyptus is from a bouquet my partner bought me, I keep these in the house. I painted the still life as part of the Stradaeasel Challenge in 2023, where you are invited to paint every day, a good discipline to do. I love the shadows of the leaves against the cream wall.

Portuguese Blue - Still Life

Acrylic, pencil & pen on photo collage.

Disarranged protest painting. Potent if all things are equal, but unfortunately they are not. Ideologies change and reactions mellow as the fires die and the focus shifts. People protesting over what is about to be done. Crowds are feeling helpless, the active members choose to uproar. The cacophony, the clamour, voices are lost on the masses, mainly ignoring, hiding in the daily grind. The decisions have already been made or else they would not have had the courage to go public. Disarranged style, pockets of activity spread across the scene.

Late October Crowd

Pastel on velour is my favorite combination when it comes to painting animals. By using a black paper it allows the creation of atmosphere and a little drama even for the smallest of subjects. An intimate glimpse into the busy life of a field mouse.

Field Mouse

Oil painting on board.

The painting is inspired by time and the wait for a particular moment to arrive. The sea and its ebb & flow is a good metaphor for the passing of time.

The time approaches

“Behold, children are a heritage from the LORD, The fruit of the womb is a reward.” Psalm 127:3


Behold the cute little baby girl sleeping peacefully in her mother’s hands so oblivious to what awaits her in the world that victimizes her gender. A pretty flower that has to grow amidst thorns; her beauty may make her prey to sex predators.
Unfair treatment of the female gender often starts from infancy in some cultures around the world. Starting from female genital mutilation to enforced marriage in some cultures in Africa, the Middle East, and Asia; in countries like Afghanistan that treat women less equal to men at every level. The unfairness continues to unequal pay and sexual harassment at workplaces and in the communities even in the “civilized” Western world. These are the thoughts that influence this painting- “Baby GIRL and the Thorns.”

Baby Girl and the Thorns

This piece was inspired by a lone Ginko tree at Compton Verney. In November, it retained it's golden foliage long after other trees had lost their leaves and glowed like a torch in the dying light. The border is printed directly from ginko leaves.

Ginko Glow

This summer has been such an unpredictable season. I pass this border in my garden en route to my studio, the golden and purple echinaceas brought sunshine everyday despite the weather and I was compelled to celebrate their gift.

This is Summer

This work really was a mysterious journey, as the painting progressed I became more and more like a voyager. I was sailing into the unknown and faced with challenges. There seemed to be a warrior evolving and unknown territory to explore. Medieval map makers would mark unknown areas 'Hic Sunt Dracaenas' - hence the title.

Here be Dragons

Part of a series of works reflecting on my childhood, that draws upon my memory of visiting my father in hospital.
Andy Farr

Welcome

Based on a poem by Justine during lockdown.

"The cloth can't hide me caving in upon myself,
Nowhere to go, nobody to see...
I might as well be naked, dumb, mute.
Falling backwards into a black hole of daily stats, numbers
The relentless news of deaths, survivors, tragedies,
Wrestling with it all in a twilight world
Each day morphs into the next,
An unbroken routine, wrenched from the life I knew
I feel like neither man nor woman
Only the meagre stool I sit on grounds me
Angular and awkward, my tired body tries to find some comfort, peace,
While my mind cannot.
Even my hands have grown a new dimension
To cradle my ponderous head
I despair,
Yet I still wear my yellow dress of hope.

Yellow Dress

A Carousel horse escaping, galloping away, freeing itself from the shackles of the carousel. This piece was created for an exhibition in Vienna as a sister piece to an earlier work created in 2017. That work was a metaphor for my father's life, this piece is inspired by my own, showing a positive, optimistic outlook.
Andy Farr

Breaking Free

Rachel experienced a traumatic surgical procedure during her labour. It left her feeling disconnected from her baby son and as if she herself had cheated death. For 18 months her days felt like she was living in a silent lonely, grey world, and her nights were plagued by flashbacks of her time in the operating theatre.
Through therapy, Rachel started to rediscover her old self. She describes opening a door and meeting my old self again. “She's inviting me back to who I used to be”. Outside of the door is dark and shadowy, but once the door is opened it's like opening it to an awesome house party, you feel nervous going in, you start talking to friends again, and you are happy you went.
Andy Farr

Invitation

white

yellow

orange

purple

dark blue

green

light blue

brown

black

Acrylic

Aquatint

Canvas

Chalk

Charcoal

Clay

Concrete

Embroidery

Graphite

Gold

Mixed Media

Metal

Oil Paint

Paper

Pastels

Pencil

Pigment

Resin

Tempera

Textile

Watercolor

Collage

Other

Film

Digital

Ceramic

Wire

Wood

Yarn

Stone

Porcelain

Marble

Glass

Plastic

Design

Drawing

Engraving

Etching

Linocut

Lithography

Painting

Prints

Screen Print

Text

Work on paper

Photography

3D Print

Performance

Sculpture

Landscape

Portrait

Very large

Large

Medium

Small

Very Small

Blue Boat, Venice

Boats

Water Feature

A Fathers Bond

Together When, When Together

Pumpkin Field

Tupak: My Ball My Rules

Distant Village

UK Artists E-Gallery Art Exhibition 2025 
We’re excited to announce our Annual Members Art Exhibition, running 1st – 30th November 2025!

Discover incredible original artwork by talented independent UK artists — all online and open 24/7. Explore, be inspired, and support the best of British creativity.

UK Artists E-Gallery Exhibition 2025

2 white seats & 2 marble tables