Stephen Moody

Swirl

Midnight Ballerina presents a solitary figure poised with deliberate balance and refined grace, embodying the disciplined artistry of ballet against a twilight urban tableau. The dancer’s form is defined by the taut line of her lifted leg and the elegant arch of her back, her pink tutu rendered with fluid brushstrokes that suggest both movement and stillness. This central figure is illuminated by the subtle glow of street lamps and the ambient light of the city of lights, Paris, an interplay of illumination that creates a tension between shadow and radiance.

Midnight Ballerina

Pas de Trois offers an intimate exploration into the disciplined artistry of ballet, focusing singularly on the lower limbs of dancers en pointe. Rendered in oil with warm hues of red, orange, and pink, the composition draws attention to the interplay of light and shadow that both defines and softens the forms of the dancers’ legs and shoes. The delicate ribbons that secure the pointe shoes wrap the ankles in a quiet ritual of preparation and endurance, underscoring the demanding physicality beneath the grace.

The textural details of the worn floor beneath the dancers evoke a space both temporal and sacred, a site where tradition and rigorous training converge. This close-up perspective intentionally abstracts the figures, inviting reflection on the tension between strength and vulnerability inherent in the ballet discipline. The layered brushwork and impressionistic application of paint illuminate the continuous dance between control and fluidity.

Pas de Trois

Young Ballerina

Jeté captures a moment suspended between motion and stillness, where the discipline of classical dance intersects with the architecture of space. Within a long, vaulted corridor, the figure of a dancer poised in an arabesque commands the composition, her black attire contrasting sharply against the corridor’s warm illumination. The interplay of light and shadow, cast by tall marble pillars, articulates a rhythm that echoes the dancer’s extended limbs and flowing hair, creating a dialogue between human form and constructed environment.

Jeté

Prima Ballerina presents a poised figure captured in a moment of quiet stillness that balances grace with introspection. The seated dancer, adorned in a vividly hued orange tutu detailed with ornate golden trim and a harmonizing bodice, embodies a disciplined artistry rooted in classical ballet tradition. Her carefully composed posture—one arm reaching delicately toward the floor while the other rests gently—reflects both the physical rigor and the subtle vulnerability intrinsic to the performer’s experience. The downward tilt of her head and closed eyes suggest a deliberate withdrawal into an internal realm, offering a glimpse into the contemplative spaces that underlie public performance.

Prima Ballerina

In this composition, two figures engaged in the disciplined art of ballet are presented within the quietude of a softly illuminated studio. The scene unfolds beneath the gentle diffusion of natural light streaming through an arched window, whose architectural form anchors the space with subtle grace. One dancer, a man dressed in a gray leotard and tights, assumes a moment of repose, his arms resting lightly upon the ballet barre, embodying a state of calm focus. Opposite him, a second figure in a pink leotard and tutu balances an extended leg behind her, poised in a gesture that conveys both strength and delicate control.

Stephen Moody

collection: Ballet

Material

Medium

Type

Sizes

Orientations

Dimensions

Colors