This painting invites contemplation. It is not an image but an atmosphere — a place to linger, to feel the subtle vibration of stillness itself. Its luxury lies not in opulence, but in refinement — in the precision of its restraint, the elegance of its quiet tension, and the mastery with which color becomes silence made visible.

Sonia J. Art Studio

"Between 2 Silences"

"Between 2 Silences" - In Situ

Private Artwork | Healthcare Center_1

Private Artwork | Notary Office_2

Private Collector | Gardens de La Garda | Italy

Private Artwork_HotelRest_3

Private Artwork_HotelRest_2

Private Artwork_HotelRest_1

Private Selling. Signed at the Back . COA.

Private Artwork_11

Private Artpiece_10

Private Artwork_12

Private Artwork_9

Private Collection| Emoções | Healthcare Center | Portugal

"Where the Light Illuminates Itself", art of the Topography of Memory — Synchronicities Collection,  was born from a moment of profound synchronicity in Venice — a city where light seems to breathe, shimmer, and reflect its own soul. In that instant, something within the artist was also illuminated, igniting a vision that now flows through her work.
The painting invites viewers not merely to see but to feel — to witness what awakens within as light reveals itself across the canvas. Layers of luminosity and reflection intertwine, evoking both the physical radiance of Venice and the inner clarity of self-discovery. She invites collectors to join her evolving journey — one where art becomes both illumination and transformation.

"Where the Light Illuminates Itself"

"Old Chapters or New Beginnings", part of the "Topography of Memory — Synchronicities" Collection, unfolds through pure improvisation — a spontaneous act of discovery where shapes emerge like windows, each one a portal between past and possibility. The layered textures carry the gravity of memory, while the vibrant colors insist on renewal, echoing the artist’s question: Am I standing at the end of something, or at the beginning of everything? Rooted in visceral gesture and intuitive flow, the painting embodies rebellion and release — a process of unlearning control and reclaiming freedom after years within structured systems. Its raw energy strikes first through the body, before thought takes hold.

"Old Chapters or New Beginnings" invites viewers into that same liminal space — where endings dissolve into beginnings, and every mark becomes both closure and awakening.

"Old Chapters or New Beginings"

"Contrast and Flow", part of the "Topography of Memory — Synchronicities" Collection,  embodies the dialogue between chaos and calm — a dynamic balance that lies at the heart of existence. Created with acrylic, sand, and organic materials, the piece carries a tactile depth that mirrors the layered textures of emotion and experience. Vibrant hues collide and harmonize, their movement echoing the ebb and surge of life’s opposing forces — tension and release, structure and spontaneity, passion and serenity. Each gesture captures energy in motion, inviting viewers to feel rather than simply see. "Contrast and Flow" is both meditation and celebration — a vivid reminder that harmony is not the absence of conflict, but the art of letting both stillness and movement coexist in perfect rhythm.

"Contrast and Flow"

"River Deep", part of the "Topography of Memory — Synchronicities" Collection, “River Deep” transforms memory into movement — a living current of color, texture, and emotion. Layers of fiery orange and red surge through the composition like molten energy, counterbalanced by cooler passages of turquoise and violet that create eddies of introspection. The darker peripheries serve as quiet boundaries, holding the turbulence while amplifying its force.

Vertical forms emerge like fractured walls or submerged architectures, while delicate linear traces drift across the surface — veins of remembrance mapping the unseen routes through which memory flows.

In "River Deep", the act of remembering becomes immersion itself: unpredictable, fluid, and alive. The painting mirrors the human experience of memory as a river — one that erodes, reshapes, and renews the landscapes of the self.

"River Deep"

"Pathways", part of the "Topography of Memory — Synchronicities" Collection, ” emerged as a moment of complete surrender — a spontaneous gesture of intuition and freedom within the artist’s ongoing journey of becoming. Here, movement and color collide, opening portals of perception where energy seems to carve its own rhythm through the layered surface.

The composition pulses with life, tracing the invisible threads that link form and emptiness, memory and resonance. Each mark becomes an act of presence — a quiet conversation between chaos and stillness, instinct and awareness — echoing the artist’s pursuit of Jung’s vision of wholeness.

In "Pathways", abstraction becomes both map and meditation, reflecting Sonia’s evolution toward a language of authenticity and flow. The work invites collectors into this unfolding process — to witness and share in the growth of a powerful female voice within European contemporary abstraction.

"Pathways"

"Portals B", from the "Topography of Memory — Synchronicities" Collection,  embodies the fluid boundary between inner reflection and external form — a visual threshold where memory, emotion, and structure converge. Through bold gestural abstraction, the artist explores the act of crossing from the known into the intuitive, from order into flow. Layers of textured pigment and saturated warm tones evoke movement and depth, suggesting architectural traces that open into luminous spaces. The interplay between density and transparency reflects the passage of transformation — the moment when rigidity yields to energy and light.

In "Portals B", the feminine emerges not through representation but through rhythm, silence, and resilience. Each mark is both release and remembrance, a record of becoming. Within this portal, abstraction becomes a map of renewal — where control dissolves into intuition, and memory reveals its hidden alignments.

"Portals B"

"Portals C2", part of the Topography of Memory — Synchronicities"Collection, “Portals C2” is a visceral expression of transition — a passage between structure and surrender, memory and transformation. This work of gestural-structural abstraction balances raw, emotional spontaneity with formal precision. Thick textures, saturated warm tones, and layered contrasts evoke both urban intensity and inner stillness, mirroring the tension between the external world and the artist’s internal evolution. Rooted in the lineage of powerful women abstract artists, "Portals C2 channels lived experience into movement and color — a dialogue between discipline and intuition, control and flow. The feminine presence breathes quietly beneath the layers, revealed through endurance, repetition, and grace. As part of "Topography of Memory — Synchronicities", this painting becomes both map and mirror — tracing invisible alignments that bridge past and present.

"Portals C2"

"Vertical Gardens II", part of the "Spring 2025" Collection, “Vertical Gardens II” continues the artist’s exploration of nature’s dialogue with urban space — where the organic and the architectural merge in quiet equilibrium. Building upon the language of Vertical Gardens, this work delves deeper into the rhythm of growth and renewal, capturing how life reclaims walls, cracks, and forgotten corners with effortless grace. Textured layers of green, ochre, and blush rise upward in fluid motion, echoing both vines in ascent and the human desire to evolve. The composition breathes — structured yet free, deliberate yet instinctive.

"Vertical Gardens II" is a meditation on persistence and harmony — a reminder that even within boundaries, nature (and the spirit) will always find a way to bloom.

"Vertical Garden II"

"In Rose Season", part of the "Spring 2025" Collection, “In Rose Season” is an intimate meditation on spring’s sensual depth — a moment when nature shifts from wild openness to lush abundance. Inspired by the gardens and hedgerows of Portugal, the painting captures the opulent presence of roses in full bloom — their velvety reds, dusky pinks, and vivid violets layered into textured fields of color that feel almost tangible.
Here, cultivated roses entwine with untamed flora, blurring the boundary between control and chaos. The result is a visceral dialogue between softness and strength, fragility and resilience — a mirror of feminine complexity. In "Rose Season" embodies the emotional richness of the Spring Collection: a celebration of rootedness, transformation, and the quiet power of becoming through beauty, memory, and time.

"Rose Season"

"Vertical Gardens", part of the "Spring 2025" Collection, “Vertical Gardens” celebrates nature’s quiet persistence — its ability to reclaim, climb, and flourish even in the most unexpected places. Inspired by the encounter between urban architecture and organic growth, the painting reflects the artist’s transition from city life to the serenity of the natural world.

Layers of textured greens, soft pinks, and earthy ochres rise across the canvas like living walls — symbols of renewal, adaptation, and harmony between the constructed and the wild. The composition pulses with upward motion, echoing the resilience of nature as it reaches toward light. "Vertical Gardens" embodies the spirit of the Spring Collection: transformation, regeneration, and the eternal dialogue between human creation and the enduring intelligence of the earth.

"Vertical Garden"

"Field of Poppies", part of the Spring 2025 Collection, “Field of Poppies” is a lyrical homage to the vibrant landscapes of central Portugal in spring — a season when the earth awakens in a burst of color and scent. Wild poppies, with their deep reds and purples, sway against fields of gold and green, creating a natural symphony of movement and light.

Through layered brushwork and textured color, the artist captures not only the visual splendour of this fleeting moment but its emotional pulse — the quiet awe of standing amidst renewal, where silence hums with life. "Field of Poppies" reflects the essence of the "Spring 2025" Collection: impermanence, rebirth, and nature’s unrestrained beauty — a reminder that even the briefest bloom carries the eternal rhythm of becoming.

"Field of Poppies"

white

yellow

orange

purple

dark blue

green

light blue

brown

black

Acrylic

Aquatint

Canvas

Chalk

Charcoal

Clay

Concrete

Embroidery

Graphite

Gold

Mixed Media

Metal

Oil Paint

Paper

Pastels

Pencil

Pigment

Resin

Tempera

Textile

Watercolor

Collage

Other

Film

Digital

Ceramic

Wire

Wood

Yarn

Stone

Porcelain

Marble

Glass

Plastic

Design

Drawing

Engraving

Etching

Linocut

Lithography

Painting

Prints

Screen Print

Text

Work on paper

Photography

3D Print

Performance

Sculpture

Landscape

Portrait

Very large

Large

Medium

Small

Very Small

"Micelica N2"

"Micelica"

"Radical Honestly Unfinished"

" Strenghts that does not shout itself loudly"

"Elsewhere, it Rains"

"The unspoken depth where feeling is stored"

"Reflections beyond the line"

"Dialogue between matter and emotion"

Strengths Do Not Shout Loudly
by Sonia J. - featuring The Rain Doesn’t Cry

There is a strength that doesn’t perform — a quiet force that breathes beneath the surface.
In Strengths Do Not Shout Loudly, Sonia J. presents ten large-scale canvases from her collection The Rain Doesn’t Cry, where emotion becomes texture and silence turns into color.

Through layered acrylics, sand, and gesso, Sonia transforms inner storms into luminous surfaces that evoke both fragility and endurance. Her paintings speak of resilience that does not need to prove itself — strength found in stillness, beauty born from surrender.

The works invite us to slow down, to feel rather than analyze, to listen to what strength sounds like when it stops shouting.

Because sometimes, the most powerful voices are whispered through texture, light, and presence.

Collection : "Calmness: Strenghts Do Not Shout Loudly"

A cabin in the forest