CaroArtGallery

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At the center of this work, materials converge. A crossing emerges — not symbolic, but physical — formed through pressure, layering and interruption. The image suggests orientation without direction, marking a moment of balance within an unstable field.

Crossing Point

This work reveals a surface marked by tension and pressure. Cracked layers and stretched forms suggest skin that has endured time, weight, and movement. What appears fragile is in fact resilient — holding together despite visible fractures. The image oscillates between erosion and preservation, inviting the viewer to look beyond damage and sense what remains intact beneath.

Beneath the Skin

An upward movement draws the eye through the composition, as if something is lifting itself from the ground. Red and earth tones concentrate at the center and dissolve into a quieter, almost water-like space.

The tension in this work lies not in contrast, but in transition; it captures the moment just before change — when material gathers, while the outcome remains open.

Shifting Perspectives

This work unfolds like a geological cross-section — a place where time, pressure, and material converge. Cracks and ruptures move across the surface as silent witnesses of transformation, echoing both tectonic shifts and the fragility of skin.

Layers appear compressed, fractured, and reconnected, suggesting a moment where something has been broken open in order to realign. The surface carries traces of resistance and surrender, where matter remembers what has passed through it.

Fault Line of Memory invites the viewer to read the surface slowly, as an archive of tension and release — a boundary where inner and outer landscapes meet.

Fold line of memory

Here the surface becomes a terrain shaped by impact. Rough textures and subtle color shifts resemble scar tissue seen up close, transforming vulnerability into structure. The work balances exposure and restraint, suggesting that every mark is both a wound and a record of survival.

Scar Landscape

Soft layers both cover and reveal one another. The image holds a fragile balance: nothing is fully exposed, nothing fully concealed. The color tones are light, almost powdery, interrupted only by subtle disturbances in the skin.

In Veil of Silence, silence becomes tangible. The work invites closeness — to look without naming, as if meaning emerges precisely in not knowing.

Veil of Silence

Cracks spread across the surface like a network of lines. The horizontal composition evokes associations with landscape, yet refuses full recognition.

Fractured Horizon depicts a boundary that is never fixed. It is a work about shifting perspectives — about looking beyond what first appears familiar.

Fractured Horizon

This work opens like a landscape without a horizon. Fine lines and traces move across the surface like echoes of growth, erosion, and time. The restrained, near-monochrome palette gives weight to every detail.

Lines of Stillness is not about movement, but about the marks this movement leaves behind. It is a work that asks for calm — and returns that calm in equal measure.

Lines of Stillness

white

yellow

orange

purple

dark blue

green

light blue

brown

black

Acrylic

Aquatint

Canvas

Chalk

Charcoal

Clay

Concrete

Embroidery

Graphite

Gold

Mixed Media

Metal

Oil Paint

Paper

Pastels

Pencil

Pigment

Resin

Tempera

Textile

Watercolor

Collage

Other

Film

Digital

Ceramic

Wire

Wood

Yarn

Stone

Porcelain

Marble

Glass

Plastic

Design

Drawing

Engraving

Etching

Linocut

Lithography

Painting

Prints

Screen Print

Text

Work on paper

Photography

3D Print

Performance

Sculpture

Landscape

Portrait

Very large

Large

Medium

Small

Very Small

Fault Line

Silent Horizons

Structures & Layers

Hidden Longing

Undulating

You and Me

Outspread

Seeing Through – Retold is not a repetition of an earlier exhibition, but a rereading. What once lived on the physical walls of the gallery returns here in a new constellation: more compact, quieter, and with greater space for perception. The virtual environment does not function as a replacement for the physical gallery, but as an alternative way of looking — slowed down, layered, and free from fixed perspectives.

In this exhibition, the surface takes center stage. Not as an endpoint, but as an entry point. The works move between skin and landscape, between proximity and distance. Structures that evoke skin, fibers, or scar tissue may gradually shift into layers of earth, horizons, or silent landscapes. What becomes visible is not a fixed image, but a field of tension: between revealing and concealing, between stillness and presence.

The structure of Seeing Through – Retold follows an inner movement. From the bodily and tactile toward the open landscape, through zones of transformat

Seeing Through - Retold