Cyanotype on Hahnemühle Britannia 300 gsm paper



This work is created with cyanotype, using seawater, sand and sunlight as active elements in the image-making process. Rather than depicting the landscape, I allow natural forces to leave their own traces on light-sensitive paper. The work records a unique moment that can never be repeated, revealing the continuous movement of the coastal landscape and the traces left by time, water and light.

Audrey Buerman

What remains, Cyanotype ,  Hahnemühle Britannia aquarelpapie

What the Light Touched, Cyanotype,  Gampi paper, 10 gram

Undertow,  cyanotypieën op verschillende soorten aquarelpapi

High Tide, cyanotypieën op verschillende soorten aquarelpapi

Gilded drift, Cyanotype,  Gampi paper, 10 gram

Waves, Cyanotype, Hahnemühle Britannia aquarelpapier, 300gr

When the Light Comes I, Cyanotype ,  Hahnemühle Britannia

Shoreline  formation, cyanotypieën op verschillende soorten

Low Tide

2 grey seats & coffee table

What remains, Cyanotype , Hahnemühle Britannia aquarelpapie is no longer available, but you may be interested in these artworks:

Shoreline formation, cyanotypieën op verschillende soorten

Two shores , cyanotypieën op verschillende soorten aquarelpa

Soft blooming cyanotype WENZHOU AQUAREL PAPIER 30GRAM

Drifting ground

Little Miracles, Cyanotype, Hahnemuller Sumi-E, 80 gr, 30 x

High Tide, cyanotypieën op verschillende soorten aquarelpapi

Crosscurrent, Cyanotype, Gampi paper, 10 gram

Low Tide