In Dinner with the Patriarch, Flatter Zenda delivers a sharp and humorous commentary on Zimbabwean cultural hierarchy through the lens of modern satire. By replacing human heads with powerful cattle totems, he transforms the dinner table into a gathering of ancestral symbols—stern, silent, and immovable. These totems, traditionally associated with lineage, authority, and identity, become exaggerated patriarchal figures whose presence dominates the space. Seated among them, a sophisticated woman raises her glass with a mixture of confidence and indifference, challenging the rigid expectations of tradition. Zenda’s expressive textures and dramatic contrasts highlight the tension between old structures and contemporary individuality. The painting becomes a witty critique of patriarchy, cultural performance, and the weight of ancestral authority—inviting viewers to reflect on how tradition both shapes and restricts modern life.

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Dinner with the Patriarch

In The Brokers, Flatter Zenda delivers a sharp, humorous critique of materialism and human behavior through the depiction of two chimpanzees dressed in flashy suits, clutching stacks of dollar bills. The piece blurs the line between satire and social commentary, using primates as metaphors for the instinctual greed and performative success that often drive modern society. Zenda’s textured strokes and expressive use of color give the figures a tactile realism, while the graffiti-like background adds a chaotic urban rhythm—suggesting the noise and pressure of a capitalist world obsessed with wealth and image. The painting’s bold palette, layered composition, and ironic tone reflect Zenda’s playful yet provocative voice, questioning who truly holds the power in a world where money dictates value.

The Brokers

In The Flow of Grace, Flatter Zenda reimagines a spiritual archetype through his distinctive abstract language. The figure on the cross, outlined in golden contours, evokes both fragility and transcendence. A deep blue square at the center radiates calm, symbolizing the inner well of faith, while the flowing lines suggest the unbroken movement of grace across time and space. Layers of textured color—violets, aquas, and earthy tones—imbue the work with both turbulence and serenity, reflecting the human struggle for redemption and peace. By blending sacred imagery with contemporary abstraction, Zenda bridges tradition and modernity, transforming a universal symbol of sacrifice into a meditation on renewal, compassion, and the boundless flow of divine presence in our lives.

The Flow of Grace

A satirical take on camaraderie and indulgence, this piece humorously depicts five
chimpanzees gathered at a table, enjoying a hearty meal with drinks. Their expressive faces
and distinct hats suggest unique personalities, mirroring human social interactions. The
painting blends realism with playful exaggeration, making it both engaging and thought provoking.

The Last Banquet

white

yellow

orange

purple

dark blue

green

light blue

brown

black

Acrylic

Aquatint

Canvas

Chalk

Charcoal

Clay

Concrete

Embroidery

Graphite

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Oil Paint

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Pastels

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Resin

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Watercolor

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Very large

Large

Medium

Small

Very Small

The Last Round

Stealth

Happy Woman

Watcher of Silence - Harare

2 round tables with marble tops

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collection: X Zurich May Flatter Zenda

Material

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Dinner with the Patriarch

The Brokers

The Flow of Grace

The Last Banquet