Cliff Kinch

"I first saw this clematis while scouting a landscape location and returned when the sun was just right to backlight the plant. What I saw was the dark seed head tangled inside nature's net, as though trying to free itself. I left the focus soft to match the fronds of the plant, because this is no harsh prison."

"Struggle."

Born in Ukraine, raised in New Zealand, and currently based out of Dallas, Texas, Vel is a self-taught photographer, qualified radio engineer, and an all-round jack of all trades when it comes to creative craft. From collecting and using vintage TLR cameras, to spinning his own yarn for his crochet creations, Vel is always on the lookout for new and fascinating things to add to his mind palace.

Velvl-Kai Ryder

"Raindrop reflections and refractions; Orakei Korako, Rotorua NZ."

"The Question of Water."

"As a mechanical engineer by trade, I have a bias toward industrial & architectural frames. I enjoy the challenge of finding wonder within these sometimes grim spaces. My hometown of Plymouth, UK is by heritage a naval, ship-building town, one bustling with industry surrounding it's waters. I've sought out to capture a glimpse of that in this project. The subjects in question are that of a Cement carrying vessel shot leaving port for the North Atlantic, a cement processing facility not far from dockside & a major fuel gas storage facility."

Liam Holloway

"Into Dust."

"Set In Stone."

"No Smoking."

Omar Alsuwat is a photographer based in Saudi Arabia, working between street and fine art photography. His practice focuses on subtle moments, visual restraint, and the quiet dialogue between form, colour, and environment. Through a minimal and contemplative approach, his images explore presence, memory, and the poetic tension found in overlooked details of everyday spaces. 
 
"My work explores the quiet tension within monochrome space, where form, light, and absence carry equal weight. I am drawn to moments that exist between revelation and concealment - scenes that do not announce themselves, but slowly assert their presence through balance, restraint, and silence. Black and white is not a stylistic choice in these images, but a language that strips the frame to its essential structure. By removing colour, I focus on rhythm, contrast, and the emotional weight of space, allowing the image to breathe and remain unresolved."

Omar Alsuwat

Silent Titans is a monochrome photographic work exploring weight, endurance, and quiet dominance. A cluster of stone forms presses against itself, occupying the frame with mass and tension, while surrounding space recedes into silence. 
 
Stripped of colour, the image emphasizes structure, surface, and gravity. The stones neither move nor yield, yet their presence suggests time, pressure, and unresolved balance. Here, stillness becomes force — and the image asserts itself through restraint, density, and quiet authority.

"Silent Titans."

Dae Jin Kim is a South Korean photographer based in Calgary. His work explores the intersection of Alberta’s untamed nature and the intimate human narratives within its communities. Through a meticulous lens, he documents the dialogue between the vast Canadian frontier and the diverse spirits of those who call it home.

Dae Jin Kim

"Alberta’s winter is most beautiful in monochrome."

"Burmis Tree."

"Coyote Fence and Beyond."

"Man With a Pinhole Camera."

Kylo-Patrick Hart is an award-winning photographer (Budapest International Foto Awards, European Photography Awards, Global Photography Awards, Golden Shot International Photography Awards, London Photography Awards, Pollux Awards, Tokyo International Foto Awards, etc.) and chair of the Department of Film, Television and Digital Media at Texas Christian University (Fort Worth, Texas, USA). 
 
He received his formal training in digital media arts while a student at the University of Michigan and Wayne State University, with additional instruction provided by offerings of the Maine Media Workshops and Santa Fe Workshops. 
 
His photographs have been exhibited in numerous cities throughout the United States and in several countries abroad.

Kylo-Patrick Hart

"Photography has been my passion since early childhood. My motivation is to discover and capture the beauty, even when it is not always readily self-evident, that surrounds us continuously in all areas of our everyday lives. I believe the finest images are those that are serious yet playful, aesthetically appealing yet a bit quirky. As both an artist and an admirer, my favorite photographs tend to be ones whose contents speak loudly for themselves, even when it is not immediately clear exactly what they are saying. They seek to inspire their viewers to wrestle with their intriguing contents and, as a result, ponder various aspects of our surrounding world in new and unique ways."

"Summoning."

"I am a photographer based in Novosibirsk and Moscow, Russia. My practice began with landscape photography, inspired by the extraordinary natural beauty of Siberia - from dense forests to the majestic Altai Mountains and remote lakes. I am also an avid traveler; I have explored Australia, Norway, Kazakhstan, and several European countries. I am drawn to capturing fleeting moments and preserving what feels visually compelling in the present. Alongside this, I focus on portraiture and staged photography. In my work, I draw on principles of physics, experimenting with optical distortion, dynamic lighting, and movement. Mixed light and controlled blur become expressive tools that shape the plasticity of the image and deepen its emotional atmosphere."

Ksenia Ananeva

Mushroom Dream. 
 
"This series immerses the viewer in a world where the boundaries between reality and imagination are blurred. The Fly Agaric and the Death Cap symbolize the inner states of a person - their feelings and thoughts in this strange, ever-changing world. Each image conveys the sense that things are not as they seem at first glance: our consciousness confuses the surrounding world, yet the truth lies within."

"Mushroom Dream: The Inner Is Real."

"Mushroom Dream: The Boundary Erased."

"Mushroom Dream: Blended with Reality."

"No Blind Spots In Leopard's Eyes."

"Stevie Newton, construction worker with a keen interest in photography. Abstract is my main passion but I am open to all aspects."

Stephen Newton

"Flintstone."

Harshil is a photographer whose work explores the quiet intersections between movement, memory, and perception. Working primarily in black and white, his images often blur the boundaries between presence and absence, capturing fleeting moments that exist between clarity and obscurity. Through the use of motion, softness, and layered compositions, his practice reflects an ongoing interest in impermanence and the emotional resonance of everyday scenes.

Harshil Upadhyay

"The Art of Letting Go - This image emerges from a quiet negotiation between holding on and release. In ”The Art of Letting Go”, movement becomes both subject and language figures dissolve into softness, and the sharp certainty of form gives way to something more transient, more felt than seen. The birds, suspended mid-flight, act as fleeting carriers of this moment. They interrupt the human presence, yet also complete it suggesting a release that is both external and internal. The blurred bodies in the background are not lost, but rather in transition, caught between attachment and surrender. By softening the image and allowing motion to obscure clarity, I aim to reflect the emotional state of letting go not as an abrupt act, but as a gradual unravelling. It is an acceptance of impermanence, where control loosens and something quieter takes its place. This work invites the viewer to sit within that in-between space, where nothing is fully held, and nothing is entirely gone."

"Flight Between Moments."

Brigitte currently lives in Switzerland. She is a self-taught photographer, started shooting as a child inspired by her grandfather whose name she chose to bear as her artist’s name to honour him. 
 
She shot with a film camera for years be it color or black and white, spent hours developing her films in a dark room. In her twenties she travelled around the globe taking her camera along and thus gained great experience especially in landscape and street life photography. 
 
Being reasonable instead of listening to her passion she studied medicine and is still partly working as a medic. Though after a life changing event she had more time for herself and the passion for photography came back stronger than ever. Still taken mostly by landscape and street life photography but also starting to experiment with other approaches.

Brigitte B Burckhardt

"The Mirror."

"I use my camera to capture details, patterns, and moods. I pay attention to the here and now - where I am, what I notice, how I feel. I want my photographs to show details and moments that may go unnoticed, inviting viewers to slow down and look closely to see patterns, shapes, shadows, and light. Whether close to home or while traveling, having a camera with me seems to heighten my awareness of the present and my appreciation of place, history, and everyday life."

Diana Stork

"Quiet City."

Karen Safer, a native Angelino, is an internationally exhibited, award-winning photographic artist and poet. Her passion for art began when given camera & crayons at age 3 and immersed in California’s visual language. A lifelong traveler, she has explored over 230+ countries & territories, embracing both the exotic and unexpected. 
 
Influenced by her father’s black-and-white photography and her mother’s insatiable curiosity for knowledge and travel, her inspirations range from ancient Assyria to conceptual works of Cindy Sherman. She began as a painter before choosing photography in college, earning a master’s degree in art and building a career in design and architecture. With 14 solo exhibitions and participation in over 590 shows, she has received more than 490 awards.

Karen Safer

"Monochrome images – we see the world in color, but in black and white, line, shape, form, pattern, and light become more distilled into shades and shapes of black and white, helping us grasp the essence of our timeless world. Highlights, contrast, and texture are accentuated. B&W removes the distraction of color, allowing us to focus on light, emotion, and story. B&W images can convey more drama and depth. Even low-contrast images can convey an emotion that might be lacking in the same image if it were in color. I drink in the lushness of color but venerate black and white images."

"Snack Bar Venice."

"I was born and raised in Portugal. From a very young age, photography sparked my interest. 
In high school, I studied Visual Arts, where I had the opportunity to experiment with different art techniques and explore my creativity. Over time, my interest in photography became a true passion. I am currently in college pursuing a Photography degree at Instituto Politécnico de Tomar. At the moment, I am doing an Erasmus semester in Kaunas, Lithuania."

Alice Maçarico

"I have been deepening my knowledge of photography and expanding my artistic practice through new experiences and environments. I have been photographing analog, drawn to its materiality and the way it slows down the process of capturing."

"Untitled."

Elizabeth Dawson is an artist and photographer. To her, photography is more than a professional pursuit, but an obsession. Enamored by the medium's ability to capture fleeting thoughts and moments, which otherwise, would fade to nothing. 
 
She graduates from Savannah College of Art and Design in June 2026 with a BFA in Photography. Her imagery is created using a broad range of technicalities and mediums. With a special interest in black and white film and darkroom printing. Inspired by historical processes as well as contemporary characteristics. Her photographic subject of choice is portraiture, through an abstract and imaginative lens. Delving into themes of intimacy, adaptation, and ambiguity.

Elizabeth Dawson

The image showcased is from a larger ongoing body of work, "Intermundane". Created using analog processes. This work is an all encompassing personal exploration of the transition from girlhood to womanhood. Images of portraiture and fragments of the body speak to the depths of such a transformative period of life. Using atmosphere to speak to the mood of interest. May it be serenity, confusion, or strength. Placing subjects in scenic landscapes, minimalistic sets, or urban settings. She also has a strong interest in fashion, in turn styling became an essential part of her process. Personal connection to her subjects allows her to capture imagery the viewer can truly believe and relate to.

"Where I Shall Return."

Kouki Ogawa is a photographer based in Japan. He observes how light quietly transforms fragments of everyday reality. 
 
"I photograph light as it transforms ordinary scenes into unfamiliar forms. By isolating fragments of light and shadow, I explore the boundary between recognition and abstraction. My work invites viewers to reconsider what they see and notice subtle changes in perception."

Kouki Ogawa

"Curve of Light."

"Between Directions."

"Quiet Presence."

Michael Eckart has spent significant time in Japan, Bali, and other parts of Asia, but Venice now feels like home. From a young age, he aspired to be a photographer or designer, always drawn to creativity. However, these passions did not take center stage in his career until much later. In the 1960s, he began designing window displays and creating objects for visual merchandising. 
 
During this time, MoMA requested some of his designs for an exhibition on contemporary design in New York. By the late 1980s, the scale of his creations changed as he transitioned into jewelry design, working with materials such as buffalo horn, bone, and especially sterling silver. From 2004 to 2006, he exhibited his jewelry in Paris, where he was awarded the Étoiles de Mode for Best Design three consecutive times. His jewelry gained widespread recognition, with features in prestigious publications such as Vogue, Harper’s Bazaar, Elle, and others. 
 
In 2016, his son gifted him an old camera.

Michael Eckart

"For the Japanese, soba is what spaghetti is to the Italians. However, soba often represents more than just a dish. Unlike spaghetti, it symbolises purity, longevity, and craftsmanship. Toshikoshi soba (年越しそば), a Japanese tradition, beautifully illustrates the deep cultural roots of soba - roots that extend far beyond a simple meal. On New Year’s Eve, almost every family in Japan eats soba. The long noodles are easily cut, symbolising the cutting away of all the misfortunes and mishaps of the past year. Their length also represents the wish for a long and healthy life. Although soba is made only from buckwheat flour and water, it takes years to learn how to prepare it properly. In a fit of bravado, I tried making soba myself - but failed. Judging by how short my soba turned out, I should have died shortly after birth! I took this photo a few years ago in Kyoto. Judging by his soba, he must be at least 130 years old."

"Soba."

"I am a freelance writer, photographer and filmmaker who specialises in primarily film photography (both, behind-the-scenes film photography and actual ISO film!). I aim to capture moments of stillness and bring a sense of longing and nostalgia with my artwork. I want my photos to feel like a happy sigh as you relive your favourite memory of a trip you took years ago."

Robin Barnett-Gell

"Follow the possibly yellow brick road ..."

"Thammacharts Room."

"A human silently wandering around the world, contemplating, and capturing unique moments on film."

Silent Film Wanderer

"City cells."

"I am a photographer working primarily in black and white, exploring space, atmosphere, and human presence. My work focuses on moments of tension and stillness within everyday environments."

Daria Maistrenko

"At the Edge."

Rainer Würth (1967) writer, photographer (portraits, body & nude, landscape). In his photos inner and outer landscapes often blur into one another. He is interested in the open, in fragments and abstraction. For him as a photographer it is all about the moment, motif and composition. In the process of taking pictures Rainer Würth experiments with apertures and exposures, intentional camera movement (ICM), light and color. The camera is a tool for him to create visual poetry or to tell a story.

Rainer Würth

"On The Beach."

"Their swimming posture is an elegance that is almost weightless. The umbrella-shaped bodies gently contract and expand, and the tentacles, like ribbons, float and sway in the water. There is no struggle or haste, only a complete submission to buoyancy. This composure makes time itself seem to slow down. But behind this beauty lies a heart-stopping metaphor - they are so fragile that they will turn into a nameless water stain once they leave this sea water; yet they are so dangerous, with hidden stingers in their tentacles that can paralyse their prey."

"Deep Sea Dreamland."

"Beauty and danger, softness and strength, transience and eternity, all achieve a delicate balance in this frame of photography. Gazing at them, it's as if we are looking at life itself - we all float in our own mediums, elegant and solitary, brilliant and fragile, striving to shine, yet ultimately not knowing where the ocean current will carry us."

Yihan Wang

"Under the lens, these jellyfish seem not to be living creatures but rather a wisp of a dream frozen in amber. They are all crystal clear, like glassware soaked in moonlight. Their body walls are as thin as cicada wings, and one can almost see the delicate structure inside - it is a natural order that surpasses artificial design, simple, symmetrical, and with a touch of casual elegance. The light flow gently over them, reserved and breath-like, like the neon lights slumbering in the deep sea, blooming cautiously in the darkness."

Black and white photography endures because it reveals what matters most. Without colour, the eye turns to form, texture, and composition. Dark Frames explores this clarity through a focused collection of monochrome images that invite attention and reflection.

These photographs are not about spectacle, but about seeing differently. Each image asks the viewer to slow down and consider what is present within the frame, how it is arranged, and what it communicates without distraction. This collection values simplicity and presence. In a world filled with constant visual noise, these works offer a quieter way of looking. Take time with each image and allow its meaning to emerge gradually, one frame at a time.

Dark Frames 3