Full Moon is based on a view of the moon seen between trees in our garden. 
Mixed Media on Canvas. 
Unframed.

Full Moon

How I feel the Eagle views the coastline as it approaches. 
Oil/Acrylic/Inks on Canvas. 
Framed.

As Seen in Flight. (The Raptors View)

A detailed, gentle painting of abstracted tenderness. Painted over a short story co-written by the artist and a close friend. Together when? When together. The suggested forms and colours complement and feed off each other.

Together When, When Together

Lonely Bipeds with Giant Dreams

Serenity on an Emerald Tide

A sole fisherman at Scarborough inspired Harvest Moon. 
Mixed Media on Canvas. 
Unframed.

Harvest Moon

A vibrant image of green fields with poppies. 
Framed.

Distant Village

The inspiration for this painting came from a photo I took on holiday in France around 10 years ago. We drove to Mont St Michel and stopped to take photos as it appeared in the distance across the fields. I loved the tranquility of the scene with the sheep grazing in the foreground. 
Framed in an oak veneer floating frame

Normandy Landscape

Beautiful atmospheric image of Hidcote lavender fields in the Cotswolds. 
Framed.

Lavender Heat

From my series of paintings inspired by landscapes along northern railways. An autumn pumpkin field brings a welcome splash of colour to a northern landscape. 
 
On a wooden stretcher frame with fixings provided and white-painted sides, allowing it to hang without an additional frame.

Pumpkin Field

I love the countryside when the rape fields are in full bloom and unbelievably vibrant. 
Framed.

Lemon Fields

This picture was painted from sketches made after spending 10 days in Venice with other painters - a wonderful holiday full of happy memories. Venice is one of my very favourite places. 
Limited Edition Giclee Print from an original Pastel. 
Framed.

Secret Venice

From walking some of the coastal path between Alnmouth and Warkworth in Northumberland. The weather, grey sky and rich brown earth at the end of summer, contrasting with the splash of dried grasses in the foreground. The coast is on the horizon. 
Natural wooden frame, 1cm wide, ready to hang.

Coastal Path

Is the industrial revolution over? We are producing more waste than ever before, now we are living in the digital age. Disposable but everlasting. Hopefully less fossil fuel is being burnt; however the effects are longer lasting as the supposed progress still has momentum. Huge mining projects pillage the Earth to gain the supply demanded rare metals and elements which are processed so we cannot see them anymore, never to be replaced or recycled.

Piston Off

From my series of paintings inspired by the landscapes along rail tracks in Northern England. Between Durham and North Yorkshire, farm machinery stands bright green and red on the dark earth in the foreground under heavy skies.

Northern Harvest

A general view of very different back gardens seen from an upper window. The long, narrow Victorian gardens are an oasis of peace in an urban setting. I liked the way the gardens reflected the different attitudes of their owners.

Back Gardens

A view of the famous Transporter Bridge in Middlesbrough, sadly no longer in use The silhouetted winter trees I hope lend drama to the scene and hint to something that was once more fruitful.

Transporter Bridge

My art is an interpretation of characters and stories from Egyptian and Aztec Mythology and mixed with Subway Art styles. This is part of a collection of 4 pieces introducing Tupak, a young Aztec Jaguar Warrior. The Aztecs were also known as the People of the Sun. 
Giclee Print on archival paper. 
Unframed.

Tupak: People of the Sun

Continuing the adventures of Tupak a young Aztec Jaguar Warrior. From a new collection of 4 pieces called Fun & Games, relating to Aztec Ball Games with the painting titles influenced by terminology used by childhood football games played on the park or in playgrounds. 
Giclee Print on archival paper. Unframed.

Tupak: My Ball My Rules

From the new collection Day of the Dead. The picture is influenced by Aztecs rituals honouring death and the cyclical nature of life. One festival dedicated to Mictecacihuatl, the goddess of the underworld, included offerings of food and flowers, especially Marigolds. These rituals were subsequently blended with Spainish Catholic influences, forming the celebrations we know as Day of the Dead. 
Giclee Print on archival paper. 
Unframed.

Tupak: Mictecacihuatl Marigold

Border Collies are a favourite of mine, and this dog looked so joyful that I felt he captured all that is wonderful about the breed. I added the stars as he has such a star quality! 
Print on Canson MuseumPro Canvas paper (385gsm) From an original acrylic painting. 
Unframed

Border Collie with Falling Stars

My attachment to the seas/ocean & the trawlers that challenge nature. 
Framed: Floater Framed in White 
h 104 x w 34 x d 5 cm 
h 40.9 x w 13.4 x d 2 in

Trawlers Return

Painted during a 10-day holiday in Venice. Spent with other artists and exploring little-known areas. 
Limited Edition Giclee Print from an original pastel.

Blue Boat, Venice

This is a large painting of a giant water spout amongst the Brutalist architecture of the Barbican flats near the famous Barbican Arts Centre in London. The waterfall and almost "hanging" effect of the planting soften the hardness of the surroundings and I think give an almost dream-like quality. I loved the sculptural shape of the spout and have tried to make it centre stage.

Water Feature

This painting is inspired by the wreck of the Sheraton steam ship which can be seen on the beach at Hunstanton, Norfolk, at low tide. The backdrop of the famous striped sandstone cliffs make the setting all the more dramatic. I visit Hunstanton frequently while staying in my static caravan nearby and have created a number of paintings of the area. 
Unframed

Beached

As a cat lover, this particular black cat really spoke to me with his big amber eyes. I thought a backdrop of red poppies would help highlight his satiny back fur. 
Print on Canson MuseumPro Canvas paper (385gsm) from an original acrylic painting. 
Unframed.

Black Cat with Poppies

This red squirrel seemed like a perfect subject for an Autumnal painting. The falling orange leaves complement the warm hues in his fur for a cosy Autumnal scene. 
Print on Canson MuseumPro Canvas paper (385gsm) from an original acrylic painting. 
Unframed.

Red Squirrel with Autumn Leaves

This was painted from a photograph I took at Marwell Wildlife Park, and depicts the endangered White Rhino. 
Framed.

Maybe their last embrace

I specialise in painting endangered wildlife, and I am currently creating a collection. 
Framed.

A Fathers Bond

This Iberian Lynx shows the beautiful warm colours and stunning eyes. It was taken from a lovely stock agency photograph. 
Framed

Bright Eyes

A scene outside a little hotel and taverna in Chania on the beautiful island of Crete. On the edge of the tourist season there were few visitors about and the cats had taken over. 
Mounted giclée print on archival, textured art paper.

Cat Cafe

The majestic and noble character of the horse has always inspired me. Their obedient yet wild nature is a paradox. A flight animal, which goes into battle, which allows us to lead and has a trust in us shows what a wonderful creature the horse is. Beautiful and strong. So with my art I love to try and capture this spirit . 
Mixed Media Artwork. 
Framed.

Victor

A hare running down the line of a hedgerow. Here the bright-eyed surprise. 
Mounted.

Hedgerow Hare

'Boats' is based on moored fishing boats at Bridlington 
Mixed Media on Canvas. 
Unframed.

Boats

I spent years keeping horses and going to horse racing. I also drew paintings of horses for their owners. 
I am unable to go racing much these days but still visit Royal Ascot when I can. 
My racing pictures have been reproduced as cards and mugs. 
A Limited Edition Giclee Print from an original oil painting. 
Framed.

Full Stretch

The beauty and grace of swans are a sight to behold. At the moment, I am doing a series of bird paintings which started with a swan gliding along the river. Quite conceited yet sweet, grumpy yet friendly, I find birds amusing and fascinating. So with this painting, I wanted to capture the confident attractive appearance of such a bird.

Cygnus

Wildlife and horses are my main inspiration, particularly British wildlife. Foxes are a favourite topic . Such beautiful and elusive creatures. Their rich red coats and striking eyes, are a wonderful subject to paint. 
Mounted.

The Wait

A fox nestled in ferns. Both abound in the area of Devon where I live. 
Drypoint etching. 
Mounted.

Fern Fox

I found this image in the town of Trinidad, a World Heritage Site on the wonderful island of Cuba.  In the yard behind a flourishing barber's shop the barber's wife was drying the washing.  I love the picture, but it's impact really relies on the title......................

Visible Pantie Line

I don't know anyone who doesn't love sweet peas, and if you don't grow them yourself, they are not easy to find as they don't feature in many florists. So I bought this bunch as soon as I saw it, and brought it home to make an image which will give pleasure to me and many others. You can almost smell the flowers as you look at them - and the other advantage is that you don't get those annoying little black flies.................. 
 
Mounted giclée print on archival, textured art paper.

Sweet Pea Posy

UK Artists E-Gallery Art Exhibition 2025 
We’re excited to announce our Annual Members Art Exhibition, running 1st – 30th November 2025!

Discover incredible original artwork by talented independent UK artists — all online and open 24/7. Explore, be inspired, and support the best of British creativity.

UK Artists E-Gallery Exhibition 2025