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New Atlantic Wave-all exhibitions

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Two back to back figures, leaning on each other and holding their heads high! Togetherness gives strength and courage. Stoneware clay with slips and oxide, suitable for display inside or out.

You and me

OPENINGS - Sculpture

A colourful and resilent figure, but she is wondering if she has it right! She will figure it out. Stoneware with multiple slips and oxides, hand built with coils

Where am I going

One of a small group of figures inspired by nautical bollards. I imagine them lined up along the quay at the edge of the River Torridge in Bideford. Strong and powerful with a feeling of having been there through the ages.

Fairway Figure 3

Born to Run

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This study of a frisky shire horse is painted in acrylics on standard canvas. For sale with certification. Framed on request.

Trojan

Labradorite gemstone with silver filled wire and onyx and sterling silver accent beads - mini sculpture

Espiral II

This captivating piece features a stunning labradorite stone, its surface shimmering with a kaleidoscope of blues, greens, and golds depending on how the light hits them. Also contains accent beads of opalite, onyx and silver. Expertly crafted with silver-filled wire in a mandalic, labyrinthine design, this pendant is a stunning statement piece of wearable art. • Mesmerizing labradorite stone • Mandalic, labyrinthine silver-filled wire design • Shimmering, iridescent color play • Handcrafted for a one-of-a-kind feel A pathway of twisted metal, does it come down from the top or go up from the bottom?

Espiral 3

OPENINGS - Jewellery

Captivate onlookers with the mesmerizing Gabriel pendant. Crafted with a flourite bead, opalite, and sterling silver, this pendant exudes an aura of mystical allure that elevates any look. Flourite bead promotes clarity, balance, and spiritual connection Opalite beads emit a dazzling rainbow glow Sterling silver beads provide a timeless, high-quality finish

Gabriel

A pendant made with amazonite, carnelian and apatite beads woven with sterling silver filled wire. Designed and handmade by me.

Etnica

Beautiful Garnet pendant wrapped in sterling silver filled wire with garnet accents. Designed and hand made by me

Garth

Picture Jasper wrapped in copper. Designed and hand made by me.

Maria

Looking through the Archway to our future a screen print using image and text.

Through The Archway

A mini abstract painting exploring the journeys life takes us on.

Finding My Way 1

Through the Archway

A mixed media paint and print collage mounted on paper.

Nigh Bloom

Original mixed media paint/print collage, sold Unframed. Depicting the slowly fading light and the changing colours the evening brings.

Sunset Exmoor

Pauline Pearce Spring

Continuing my series on Exmoor hedgerows. Paint and print handcut Collage mounted on paper. Unframed

Where Moss Gathers

Pauline Pearce Natures Patterns

View towards Braunton Burrows from Tapeley Park, north Devon on a bright sunny day. Vibrant colours depicted in acrylic paint on canvas

View from Tapeley over the Torrideg River

B is for Beavers, Butterflies, Buzzards & Bluebells - screen print

The Great Outdoors z-Z B

D is for Dotterel, Dotards, Deer & Dandelions - Screen print

The Great Outdoors A-Z D

Sun, Sea and sailing boats! Looking down from on high at Appledore and its near landscape features.

Peeping at Appledore

This is painted on a thick craquelure surface which mirrors the clay from which Adam was made and alludes to 'original Sin' and the forgiveness of Adam at the time of the Crucifixion.

The Victorious One

Arrangement of 9 tessellae or small tiles each approx 3 x 3 cms in a box frame. Each tile is hand made of stoneware clay and hand marked and decorated in colourful glazes. The piece stands on its own or can be hung with others in the series.

Berries and Seeds

Cuttinng Garden

Blue Flora

Part of the EXODUS Series. Humanity on the move; migrants, refugees, or on the way to a pop concert. Whatever your imagination sees is right. Unframed, with a Certificate of Authenticity, ready to hang.

EXODUS Emeregence

A Giclee print of Cloud Farm, nestled in the Doone Valley on Exmoor

Cloud Farm

A lyrical painting depicting a woman in quiet reverie amidst flowing folds of fabric. The threads of the material represent her thoughts and feelings. It is painted on a gallery wrapped canvas using artist quality oil paints. This picture has been painted on the sides so it is ready to hang without needing a frame. A coat of varnish has been applied to protect the paint surface. The work is signed on the front and an indexed certificate of authenticity is affixed to the reverse. The painting will be carefully packaged and sent fully insured via a tracked courier.

Contemplatin

A drawing of the places we went to with our grandson's during the summer of 2022. The original drawing is A2 size drawn with a fine line pen. This is the first quarter of the coloured drawing, eventually there will be a print available of the whole drawing. The places on this print include... Lynton viewed from the top of Countisbury Hill, The Bath Hotel, Lynmouth, Malmsmead, The Lynton & Lynmouth Cliff Railway, The Snowball tree on Hollerday Hill, Lynton and The wind farm near West down.

The firts quarter of Summer

The sun sets behind cliffs overlooking Bideford Bay, viewed from Westward Ho beach.

Westward Ho Sunset

Palmerston Fort is an original pastel drawing of one of the forts that encircle Portsmouth built in response to the 1859 Royal Commission intended to defend the Dockyard. It is framed in a box frame measuring 25 x 25 cm and 4.5cm depth; the drawing is 12 x 12cm. It is part of a 4 piece collection of seascapes which include Lundy Island, The Island (Spinalonga, off Crete) and The Headland (based off the Hartland peninsula, Devon), but it is available individually.

Palmerston Forts

Acrylic board framed on a St Ives frame. A window overlooking a serene summer scene.

Days Like These

Beautiful Appledore in North Devon just as the sun begins to set and the reflections dazzle on the water.

Dusk a Appledore

Yachts glide across the Torridge estuary at Instow with Appledore silhouetted against the evening su

Instow Races

Rosie loves the beach at Westward Ho! even on a blustery winters day, the light and surging tide is mesmerising and exciting. This is a one of a kind piece an oil on monotype painting - a process found in the portfolios of Degas and William Blake, a single impression is taken from an un-makred thinly inked plate, drawn into to create the image, printed with an etching press then oil paint glazes are added to enhance the image and add colours.

Storm's In

Original oil painting framed in white wooden frame of the famous Hocking ice cream van on Appledore Quay, with a view of Instow behind.

ce Cream in Appledore

Rosie is a keen beach go-er living on the Atlantic coast of North Devon, captivated by the shore line, the ever changing light, mood, and skies: a different every visi. Recenlty she developed a new media practice: oil on monotype prints - Rosie calls them ‘fake paintings’ F.P. reflecting their reception by the Royal Academy: printmaking as an Art wasn’t accepted until 1909, 140 years after the Summer Exhibition was established. Monotypes, ‘the painterly print’, championed by the likes of William Blake and Edgar Degas, are made by working into an inked smooth surface, one impression or pull can be made and a second ghost image sometimes successfully drawn from the plate. The drawn /scratched /wetted inked plate is printed on damp paper using an etching press. The compression of the fibres means oil paint can be added in thin glazes to add colour to the prints, like a primed surface. They are much faster than oil painting and wonderfully unpredictable - expressive and unique.

Fast Ligt High Water

Screen print based on colourful little Greek fishing boats in the Mediterranean

Fishing

Sometimes, the little puffin island of Lundy looks like a haven of sunshine and calm - bobbing on the horizon from Westward Ho! beach. This is a one of a kind oil on monotype painting - a process found in the portfolios of Degas and William Blake, a single impression is taken from an un-makred thinly inked plate, drawn into to create the image, printed with an etching press then oil paint glazes are added to enhance the image and add colours.

Sunny on Lundy

Photography and Digital. This is a part of a small series called 'Granny always said - Red Sky in the Morning - Sailors take warning' this is No1. One of my 30 minute Digital Sketches.

'Granny always said-Red Sky in the Morning-Sailors warning

How delightful is this vibrant acrylic ink artwork? It depicts two young lovers sharing their first kiss, a piece from the INKLINGS Series by Lesley Anne Cornish, delivered with a neutral mount and a certificate of authenticity.

First Kiss

Oils and mixed media on cradled wood panel I started working on this one in late winter, when I was very cold in my studio and the vibrancy of the colours kept me warm! Then with this year’s heat the title came to me.

Summers Heat

A hand felted ammonite embellished with beads and mounted with the fossil specimen that inspired the work.

Ammonite Spirals

Painting on paper, using mainly acrylic inks depicting the fragility and the short longevity of the Iris's bloom. Painted from sketches worked at RHS Rosemoor.

Iris

Study of an Orthoceras fossil specimen in wool and silk. Two felted pieces mounted with the original fossil.

Orthpceroas

Mixed media on canvas ( unframed) taken from sketches of magnolias in RHS Rosemoor.

Fragility

Screen print based on wreck in APPLEDORE using text to remind us of the damage from pollution

The Estuary

A bracken frond unfurling in spring against a blue background

Bracken five

n atmospheric textured painting where you can virtually taste the sea spray on your tongue. Inspired by the wild seas around the coast of North Devon created using a multitude of tools, textures and my imagination. A statement piece framed and ready to hang

Somewhere only we know

fineliner illustration produced in blue biro of a lobster , framed in a white grained wood

Lobster

Silk screen with symbolic references and a focus on colour

Offshore Wind

Fineliner blue biro ink detailed illustration of an Kraken stylised Octopus , framed in white grained wood .

Octopus

Fineliner blue ink biro illustration of a marine free swimming Jellyfish , framed in a white grained wood .

Jellyfish

It's early season at Woolacombe Bay. A few surfers are in, the RNLI have training on the beach and the sand is looking pink in the muted glow of weak, new season sunshine. Painted from atop the dunes at Marine Drive in Woolacombe, the scene shows the beach and dunes, mostly empty, but expectant of the busy surf season to come. For now the surfers are few and the holiday makers are nil, leaving the beach to the locals and dog walkers; having the place to themselves. As with most of my original paintings, this one was painted on the spot. I wanted to try and catch the clouds and that weird light making the sands appear pink in front of me. This painting was created in oils on a 20 x 16 inch stretched canvas and is frames in white wood approx 2'' wide.

Woolacombe Bay Start of the Season

Sarah Lockett Appledore Greys

'Surfers, Woolacombe Dunes' was painted from Marine Drive at Woolacombe Bay, above the dunes that lead down to the beach. It was painted on the spot in one sitting with oils on a 16 x 12 inch stretched canvas. This painting is framed with a white, wood frame approx. 2'' width. Catching a light shift like this and looking straight into the glare from the sea creates quite a few challenges. The sun was high and it was late in the afternoon. The light was dazzling on the waves and the surfers became little more than silhouettes trudging up the hot, deep sand of the dunes. On the horizon to the left I could just about make out the island of Lundy through the summer haze.

Surfers Woolacombe Downs

Original oil painting framed in white wooden frame of a bowl of plums.

Plums

Mixed Media abstract in a symphony of blues with the complementary colours of black and a touch of pink that, to me, capture the essence of the sea

Sea Symphony

Original oil painting framed in white wooden frame of a bowl of figs

Figs

Just one lone surfer left in the evening, waiting for that last wave to finish an epic day. Saunton Sands, hapainting and sketching from the beach. As the day wore on the light became, what I can only describe as glassy; the colours turning lilac, making silhouettes change hue in an instant and catching bright specs on the water. Eventually the breaks between sets got longer and folks began to head back to the carpark. This one surfer stayed a while, holding his board and stretching a hand above his eyes to protect a little from the glare; he looked for all the world as if he was saying 'come on, just one more'. I had already been painting and getting Just one lone surfer left in the evening, waiting for that last wave to finish an epic day. Sadown the lilac colours so I was able to quickly paint him into the scene. A lucky break for me because it gave a real focus out of the beauty of those colours and he held that position just long enough for me to catch the essence of that moment.

The Last Wave Saunton Sands

The Gold Queen

A walk through Landcross Tunnel in Bideford. Photography and Digital. Multilayered print. Part of the Series 'Landcross'

Landcross no16

Portait of Queen Elizabeth II in black. Oil on board with narrow antique frame

The Black Queen

A translucent green sea gently rises and falls around the rocky coastline

The Moorings

I walk, looking at parts of life that fascinate me and I want to make art out of. In the basement of the block I came accross an orthodox chapel. 12cm (4.75inch) original, contemporary print in 25cm (10inch) White box frame.

Basemnet Chapel 2

Small jewel-like ikon. 12cm (4.75inch) limited edition prints (25) in 25cm (10inch) frames.

Higgh  Walking

Headland is an original pastel drawing of a North Devon headland, based on the Hartland Peninsula. The lighthouse at its end can just be seen, as can a sailing boat in Bideford Bay. It is framed in a box frame measuring 25 x 25 cm and 4.5cm depth; the drawing is 12 x 12cm. It is part of a 4 piece collection of seascapes which include Lundy Island, The Island (Spinalonga, off Crete) and Palmerston Fort, but it is available individually.

Headland

Sky meets sea at the end of the day where sudden light on the horizon breaks the bank of uniform grey of a dense cloud bank

Looking West

A painting that captures the constant movement of the clouds over the wild Exmoor downs.

Holdstone Down

Looking through an old tree towards Appledore and Braunton Burrows through the haze of a warm summer evening. Watercolour and Ink on canvas

Lazy Days

Storm winds boil the sea around the rocks at Hartland

Weather Pattern

The soft evening light caught breaking through the clouds over the incoming tide with Hartland Point in the distance.

Evening Tide

A display poster of the sponsors supporting the NAW exhibition 2025

ABF Sponors Poster

Our annual show as part of the Appledore Book Festival featuring over 30 north Devon artists and makers. Situated in the popular village of Appledore this show features over 90 works and showcases the diversity of creativity being created across north Devon.

New Atlantic Wave at Appledore Book Festival