The carousel of being

I am no one's ornament.

Palimpsest of the Feminine

Lady fishing lure

Jael's stakes

Anunciation tactics

Cascading downwards three times in three scales, the women hail their justice. Judith, Madonna, the Sphinx and other feminine myths meet for the first time on my canvas. Chiaroscuro lighting keeps the mood right for my characters. Diagonal compositional structures cascade movement downwards.

Hold my head back

New worlds

Circles quietly structure the foundations of the collage, leaving detailed backdrops for freed muses, headless Madonna's, and movies playing out on skin. Myths with powerful women abound. The power houses of the patriarchal art world are suddenly inverted, only consisting in details, supporting images or outright mockery. Sorry Goya and Raphael, it's time to shake things up.

Spherical dreamscapes

Finding our voices in the flowers

I truly intend to make you question your bearings in this collage. I realize that I've started duplicating the already infinitely duplicated computer file that once was a one-of-a-kind oil painting. What a life these images have led. As inspiration, I remix Renaissance images like a dj, hoping you can hear my compositions sing.

Screwing with your histories

Cycles not systems

A palimpsest of feminine power and worship. Details matter, don't forget. Criss-cross apple sauce compositions. The center composition is the densest, layering Madonna and child, Venus and Cupid, Phyllis and Aristotle and apples with faces of powerful women. Circles are sacred and become worlds within worlds. If you look closely, you'll see details of the Devine Feminine.

We don't want to be chosen

Queens

Mouthy Women

Not keeping the peace

Flower innuendos

Black widow moves

Judith's revenge

Preaching to the fish

Holding the centuries

Large scroll-like collages on archival canvas curated with smaller collages in two viewing rooms.

Lauren Webber

Hokusai

Two rooms with a view