MARTIN BUSH

BEACH PLAY 1

SUMMERS DAY WITH FRIENDS

MIND WARP 3

MIND WARP

PASSION BEACH

TIMELESS MEMORY

KATE SULLY

DIFFERENT LANDSCAPE

BALANCE

STRETCH

NEW LIFE

NEW CONNECTIONS

ROBERT DANIEL

POPPY FIELD

THE BLITZ LONDON

HIDDEN DRAGON

THE SUNSET

LET'S PLAY

BLUE MOON

UNTITLED RED 1

UNTITLED RED 2

UNTITLED RED £

PURPLE SALTBURN

TONIA BEAR AERIST

WHEN THE LAKE'S IN BLOOM

REACHING FOR THE SUN

BY THE STREAM

PINK CLOUD

PINK DOOR

FIELDS OF GLORY

RONIS VARLAAM ARTIST

A painting from THE NATURE OF THINGS series. This is an experimental series that has moved from figuration to abstraction and back again to figuration. During painting it I have found a new way of applying paint to a surface

THE NATURE OF THINGS 17

THE NARE OF THINGS 16

A painting from THE NATURE OF THINGS series. This is an experimental series that has moved from figuration to abstraction and back again to figuration. During painting it I have found a new way of applying paint to a surface.

THE NATURE OF THINGS 14

THE NATURE OF THINGS 8

THE NATURE OFVTHINGS 9

THE NATURE OF THINGS 11

AMANDA FOWLER ARTIST

WETLANDS

BLUE BAYOU

MAELSTROM

SYLVIA IGGLESDEN ARTIST

JAIPUR PALACE

IBIZA RAVE

WOODLAND FIND

TURKEY TROT

DOLOMITI

TANGERINE

TREVOR HUNT

RUN TO THE SHORE

Soul Wandering.

As You Lean Into The Light

Remember How We Started.

Kamilia Elsay

Carbonite

Swt (shadow)

LOTUS

Vitrala

PLASH

JEANNE _ LOUISE MOYS

MOONSCAPE

Bourrée en couru

CITY LIFE

HOMAGE

HEALING

Primordial swimming

Chris Horner ARTIST

Paint, Pouring medium, Varnish, Cement, Building sand, Gloss on Canvas. 
 
 
in the building trade has strongly influenced my intention to present colours, which are of deep earth tones but translating them by introducing strong vivid colours. The paint in this artwork has been mixed with a pouring medium and a high gloss varnish in order to give a slick look to the composition. An industrial gloss / resin was added to the mortar (the mix between cement and building sand) – as this gave the mixture added protection.

The sense of constructing colours

Paint, Pouring medium, Varnish, Cement, Building sand, Gloss on Canvas. 
 
This rigorously composed artwork has an infinite number of expressive fluctuations. I was interested in how the artwork was painted, the way I used the colours, how things were put together – it’s experimental it is a PUNK ABSTRACTION! The paint in this artwork has been mixed with a pouring medium and a high gloss varnish as this gives a slick look to the composition. An industrial gloss / resin was added to the mortar (the mix between cement and building sand) – as this gave the mixture added protection.

New Beginnings of Abstraction

Plaster, Wax, Paint, Glue, Wood, Carbon steel, Gloss, Varnish on Sack paper. 
 
This artwork is made from sack paper an old plaster bag. In 2017 it was a completely different artwork, titled ‘Plastered Trace’ it was a small sculpture. The black paint on the surface was used to map in all the transformations found on the surface. In 2020 I changed the small sculptural form into a painting. Soon after doing this I was invited to take part in a London Group exhibition called; ‘In Plain Sight’ at the Thelma Hulbert Gallery. Each artist was instructed to hide an object inside their artwork, but where it still had to be partially seen. The object in this artwork is a tool that I work with a lot when supporting my dad in the building trade. I used the tool to cut the random marks into the wax that can be seen in the centre of the artwork.

LOOMING OUT FROM THE SURROUNDED

Cement, Plaster, Clay, Paint, Wax, Gloss, Varnish on Canvas. 
 
This artwork was made in three stages. The first stage was in 2009 I was studying on my BA in Fine Art. The canvas was unstretched and I was just playing around with all different coloured paints. The second stage was in 2017 I was studying on my MA in Fine Art. I took some clay different pre-used building materials and started to transform the painting into something sculptural. In 2019 I stretched the canvas heated up some wax and poured it over the existing materials. I then used a scalpel and hot knife to cut away parts of the wax where concave transformations had formed. This piece was selected for The London Group Open 2019, and it won the JPES Partnership Art Prize

SPACE OF PLAY

LED curable ink, Cement, Wax, Paint, Resin, Gloss, Varnish on Polyethylene plastic. 
The surface of this artwork is an old cement bag. A cement bag that I worked with when helping my dad on the building site. The cement bag was used in order to get a patio job complete. It was then thrown away into the skip. I wanted to challenge this kind of wasteful behaviour as an artist by testing the possibilities of something that is so typically thrown away without thinking, by putting this bag through several experimental processes to see how interesting, intriguing, and exciting a cement bag can become.

MANNOK

LED curable ink, Cement, Wax, Paint, Resin, Gloss, Varnish on Polyethylene plasti 
The surface of this artwork is an old cement bag. A cement bag that I worked with when helping my dad on the building site. The cement bag was used in order to lay a brick pathway . It was then thrown away into the skip. I wanted to challenge this kind of wasteful behaviour as an artist by testing the possibilities of something that is so typically thrown away without thinking, by putting this bag through several experimental processes to see how interesting, intriguing, and exciting a cement bag can become.

MULTICEM (RED)

LUCIA MINI ARTIST

VAN GOUGH

LETTS

SEA ENERGY

JO SALMON ARTIST

SWEET WILLIAMS

FLOWER RIOT

BRILLIANT DAISES

Gladiolus explosion

TEXTILE FLOWER

WILD FLOWER BOUQUET

Philip McCumsky ARTIST

Rain Storm Over the Sussex Downs

Trees on a Snowy Hillside

NIGT TIME SHACKS Downtown Johannesburg

Spring Skies on the Farm

DEEP IN THE DELL

URBAN ENERGY

Tracey Platt SRTIST

Stick of Rock

LOCKDOWN

Space Expectation

FANTASY WHEEL

BOBBYDAZZLER

Welcome to our art exhibition of Abstracts and Semi Abstract art in aid of Alzheimer’s Society. Alzheimer’s Society is the leading charity dedicated to supporting individuals affected by dementia and their families, whilst also funding research into the cause, cure, and prevention of dementia.

The Abstract and Semi Abstract Art Exhibition brings together over 30 emerging and established artists taking part to raise funds for Alzheimer’s Society. In this virtual exhibition, you have the opportunity to see and buy some beautiful artwork and in doing so support this important charity.

ABSTRACT AND SEMI ABSTRACT EXHIBITION IN AID OF THE ALZHEIMER'S SOCIETY