The Second Sex 2022 Acrylic on canvas 100 cm x 140 cm 
 
 
Price After Request 
 
ana.sobkowiak@gmail.com 
 
 
Project Description 
 
The main subject of my works are relations between humans, including their feelings, thinking and acting, and the environment in which they live. The pictures depict mainly young people in highly ambiguous spaces and situations, which altogether creates atmosphere full of engagement, inner strength, passion and intensity of the moment. Currently, I am experimenting with depictions of Polish women from Poznan, which is trying to be one of the most liberal cities in Poland. I treat these representations on many levels, both visual and psychological. I try to present diverse attitudes towards women: my own, other women’s as well as men’s. The leitmotif will be their (women’s) strength, importance, meaning, and freedom. 
The main goal is to try to address the underlying questions: Who is a contemporary Polish woman? What interests her? What worries her? What is she loo

The Second Sex

InThe Bedroom, 2023, Acrylic on canvas, 80 x 60 cm 
 
 
Price After Request 
ana.sobkowiak@gmai 
 
Project Description 
 
The main subject of my works are relations between humans, including their feelings, thinking and acting, and the environment in which they live. The pictures depict mainly young people in highly ambiguous spaces and situations, which altogether creates atmosphere full of engagement, inner strength, passion and intensity of the moment. Currently, I am experimenting with depictions of Polish women from Poznan, which is trying to be one of the most liberal cities in Poland. I treat these representations on many levels, both visual and psychological. I try to present diverse attitudes towards women: my own, other women’s as well as men’s. The leitmotif will be their (women’s) strength, importance, meaning, and freedom. 
The main goal is to try to address the underlying questions: Who is a contemporary Polish woman? What interests her? What worries her? What is she looking for?

In The Bedroom

Doux réveil, 2022, Photography (1157x771px), 75 x 50 cm 
 
 
Price After Request 
 
lu.an2aa@live.be 
 
 
Project Description 
 
Photography in abandoned places in Europe is a lot of people taking the same photos. I am continually trying to set myself apart from others. 
Sometimes it is enough to look a little further than our environment, to look at what extends through a mirror. 
More particularly wardrobe mirrors, it reminds me of the dreams we have during our sleep which reflect our state of mind, our hopes, our fears, our joys. 
In these places, there is nothing left, since no one lives there anymore, no one dreams there anymore.

Doux reveil

Reflection, 2022, Photography (1157x771px), 75 x 50 cm 
 
Price After Request 
 
lu.an2aa@live.be 
 
 
Project Description 
 
Photography in abandoned places in Europe is a lot of people taking the same photos. I am continually trying to set myself apart from others. 
Sometimes it is enough to look a little further than our environment, to look at what extends through a mirror. 
More particularly wardrobe mirrors, it reminds me of the dreams we have during our sleep which reflect our state of mind, our hopes, our fears, our joys. 
In these places, there is nothing left, since no one lives there anymore, no one dreams there anymore.

Reflection

Mauvais reve, 2022, Photography (1152x768px), 75 x 50 cm 
 
 
Price After Request 
 
lu.an2aa@live.be 
 
 
Project Description 
 
Photography in abandoned places in Europe is a lot of people taking the same photos. I am continually trying to set myself apart from others. 
Sometimes it is enough to look a little further than our environment, to look at what extends through a mirror. 
More particularly wardrobe mirrors, it reminds me of the dreams we have during our sleep which reflect our state of mind, our hopes, our fears, our joys. 
In these places, there is nothing left, since no one lives there anymore, no one dreams there anymore.

Mauvais reve

A travers le miroir, 2022, Photography (1157x771px), 75 x 50 cm 
 
 
Price After Request 
 
lu.an2aa@live.be 
 
 
Project Description 
 
Photography in abandoned places in Europe is a lot of people taking the same photos. I am continually trying to set myself apart from others. 
Sometimes it is enough to look a little further than our environment, to look at what extends through a mirror. 
More particularly wardrobe mirrors, it reminds me of the dreams we have during our sleep which reflect our state of mind, our hopes, our fears, our joys. 
In these places, there is nothing left, since no one lives there anymore, no one dreams there anymore.

A travers le miroir

Au-dela, 2022, Photography (1157x771px), 75 x 50 cm 
 
 
Price After Request 
 
lu.an2aa@live.be 
 
 
Project Description 
 
Photography in abandoned places in Europe is a lot of people taking the same photos. I am continually trying to set myself apart from others. 
Sometimes it is enough to look a little further than our environment, to look at what extends through a mirror. 
More particularly wardrobe mirrors, it reminds me of the dreams we have during our sleep which reflect our state of mind, our hopes, our fears, our joys. 
In these places, there is nothing left, since no one lives there anymore, no one dreams there anymore.

Au-dela

Hypomania Oil on canvas wood printing 101.6 x 101.6 cm 
 
 
Price After Request 
 
f.haddad.artist@gmail.com 
 
 
 
Project Description 
 
Fatima explores the idea of how colors trigger certain emotions, reflect myriad moods, and mirror states of mind. 
Fatima has two directions in art, the first of which revolves around an idea, the creation of something new, and the development of her own artistic identity, which is characterized by the use of geometric shapes and its integration with human figures by forming a certain 
movement language that is the outcome of a verbal dialogue between the person and his being. 
The second trend is abstraction, and what distinguishes Fatima in this aspect is that she specialized in interior design which made her know what is suitable and good for each space. 
 
Fatima has been distinguished in the use of oil colors since 2003. She taught herself art subjectively. 
Her current interests are "Clowncore”, and “Scenography", and learning wood printing. Fatima's inspirat

Hypomania

Blue shift Oil on canvas wood printing 101. 6 x 101.6 cm 
 
 
Price After Request 
 
f.haddad.artist@gmail.com 
 
 
 
Project Description 
 
Fatima explores the idea of how colors trigger certain emotions, reflect myriad moods, and mirror states of mind. 
Fatima has two directions in art, the first of which revolves around an idea, the creation of something new, and the development of her own artistic identity, which is characterized by the use of geometric shapes and its integration with human figures by forming a certain 
movement language that is the outcome of a verbal dialogue between the person and his being. 
The second trend is abstraction, and what distinguishes Fatima in this aspect is that she specialized in interior design which made her know what is suitable and good for each space. 
 
Fatima has been distinguished in the use of oil colors since 2003. She taught herself art subjectively. 
Her current interests are "Clowncore”, and “Scenography", and learning wood printing. Fatima's inspira

Blue shift

Déjà vu, Oil on canvas wood printing, 101. 6 x 101.6 cm 
 
 
Price After Request 
 
f.haddad.artist@gmail.com

Déjà vu

Rusted industry, 2022, Mixed Media (Rust and oil on canvas) 45.72 x 60.96 cm 
 
 
Price After Request 
 
azharshehraz@gmail.com 
 
 
 
Project Description 
 
Rust is a material containing continuous movement that challenges the strong metal by turning it into powder. Over time looking at rust we get irritate due to its negative function. The purpose of bringing it onto canvas was to stop its process of deterioration and negativity by making it a useful medium of Art. The concept of this all application was to show that by changing place of any substances it changes the meaning too.

Rusted industry

Acculturation, 2022, acrylic on canvas, 90 x 60 cm 
 
 
Price After Request 
nicolepoh1011@gmail.com 
 
My paintings are an exploration of architecture and space, often featuring distorted shapes and 
reflections that represent the dismantling and reassembly of urban structures. I experiment with a range of mediums, including acrylic, oil, and watercolour. 
Through my work, I aim to evoke visceral emotions and provide a unique perspective on the urban 
landscape. My paintings are a reflection of my personal experiences and cultural heritage, and I hope to 
connect with audiences on a deep and meaningful level.

Acculturation

Mirror of Life, 2022, acrylic on canvas, 100 x 70 cm 
 
Price After Request 
nicolepoh1011@gmail.com 
 
My paintings are an exploration of architecture and space, often featuring distorted shapes and 
reflections that represent the dismantling and reassembly of urban structures. I experiment with a range of mediums, including acrylic, oil, and watercolor. 
Through my work, I aim to evoke visceral emotions and provide a unique perspective on the urban 
landscape. My paintings are a reflection of my personal experiences and cultural heritage, and I hope to 
connect with audiences on a deep and meaningful level.

Mirror of Life

Justicia, 2021, Oil on Canvas, 82 × 60 cm 
 
Price After Request 
 
n.schoenian@web.de 
 
 
Project Description 
 
In terms of content, I dedicate my work to personal, political or socio-critical topics. I work figuratively, illustratively, with influences of surrealism and symbolism. The images presented here show the Artlover, a homage to artists who shaped me, whose artworks I studied for educational purposes. Justitia leaves open the question of how much neutrality is actually in the legal system. I deliberately played with the attributes of blindness, the sword and the scales and left the viewer open as to whether the mouse, who is holding the sword in his hands almost innocently, almost playfully as an executive, is in danger of slipping off and thereby destroying the balloon, the illusion a righteousness to smash. Vendetta is a rather smiling piece in which I deal with a very serious topic, that of animal testing and shift the power structure.

Justicia

Vendetta, oil on canvas 117 x 89 cm 
 
 
Price After Request 
 
n.schoenian@web.de 
 
 
Project Description 
 
In terms of content, I dedicate my work to personal, political or socio-critical topics. I work figuratively, illustratively, with influences of surrealism and symbolism. The images presented here show the Artlover, a homage to artists who shaped me, whose artworks I studied for educational purposes. Justitia leaves open the question of how much neutrality is actually in the legal system. I deliberately played with the attributes of blindness, the sword and the scales and left the viewer open as to whether the mouse, who is holding the sword in his hands almost innocently, almost playfully as an executive, is in danger of slipping off and thereby destroying the balloon, the illusion a righteousness to smash. Vendetta is a rather smiling piece in which I deal with a very serious topic, that of animal testing and shift the power structure.

Vendetta

Artlover, oil and acrylic on canvas,100 x 100 cm 
 
 
Price After Request 
 
n.schoenian@web.de 
 
 
Project Description 
 
In terms of content, I dedicate my work to personal, political or socio-critical topics. I work figuratively, illustratively, with influences of surrealism and symbolism. The images presented here show the Artlover, a homage to artists who shaped me, whose artworks I studied for educational purposes. Justitia leaves open the question of how much neutrality is actually in the legal system. I deliberately played with the attributes of blindness, the sword and the scales and left the viewer open as to whether the mouse, who is holding the sword in his hands almost innocently, almost playfully as an executive, is in danger of slipping off and thereby destroying the balloon, the illusion a righteousness to smash. Vendetta is a rather smiling piece in which I deal with a very serious topic, that of animal testing and shift the power structure.

Artlover

REFLECTIONS Edition II Exhibition Poster with artists names list

Royal Blue Gallery

Blur Reflection, 2022, Photography, 91,44 x 60,96 cm 
 
Contact Information 
tevah.info@gmail.com

Blur Reflection

ZOIO DI PEXE, 2022, photography, 50 x 75 cm 
 
 
Price After Request 
 
andrekit.artedesign@gmail.com 
 
 
Project Description 
 
Currently my production is directed towards abstract photography and I develop my visual research on extended time, movement and its continuity, with that, I produce images that explore new perspectives on photographic aesthetics. I’ve been creating a photograph dissociated from the instant, from the mere recording of something. I seek to create compositions and collages that do not undergo any digital manipulation and are transformed into abstract paintings. Technically, they are images that I produce from long exposures and gestures, also called ICM (Intentional Camera Movement). The long exposure and the gesture bring focus and configure my speech.

ZOIO DI PEXE

DEEP INSIDE, 2022, Photography, 50 x 75cm 
 
 
Price After Request 
 
andrekit.artedesign@gmail.com 
 
 
Project Description 
 
Currently my production is directed towards abstract photography and I develop my visual research on extended time, movement and its continuity, with that, I produce images that explore new perspectives on photographic aesthetics. I’ve been creating a photograph dissociated from the instant, from the mere recording of something. I seek to create compositions and collages that do not undergo any digital manipulation and are transformed into abstract paintings. Technically, they are images that I produce from long exposures and gestures, also called ICM (Intentional Camera Movement). The long exposure and the gesture bring focus and configure my speech.

DEEP INSIDE

The Death of Hector (Triptych), 2023, Oil on canvas, 152.5 x 183 cm 
 
Contact information 
studio@sandracavanagh.com 
 
 
Project Description 
 
Maintaining a consistent practice, I have developed a large portfolio of work including paintings, drawings and prints. I sustain a mostly narrative focus, often as a reaction to sociopolitical events with the intention of codifying ideas and feelings. Within this development, various subjects recur, such as the mythological feminine as a vehicle to explore patriarchal brutality and its weight on the collective, the consideration of mortality and the loss of innocence in transgenerational stories, visceral reactions both to memories and events of current general concern. I often worked in series, creating pictorial storylines with some urgency to exhaust the subject and form to the point of understanding or unburdening myself of it. The result is an annotation of feelings underscoring a dramatic approach to form and message.

The Death of Hector (Triptych)

Man Down, 2022, Oil on canvas, 122cm x 183cm 
 
 
Contact Information 
 
studio@sandracavanagh.com 
 
 
Project Description 
 
Maintaining a consistent practice, I have developed a large portfolio of work including paintings, drawings, and prints. I sustain a mostly narrative focus, often as a reaction to sociopolitical events with the intention of codifying ideas and feelings. Within this development, various subjects recur, such as the mythological feminine as a vehicle to explore patriarchal brutality and its weight on the collective, the consideration of mortality and the loss of innocence in transgenerational stories, visceral reactions both to memories and events of current general concern. I often worked in series, creating pictorial storylines with some urgency to exhaust the subject and form to the point of understanding or unburdening myself of it. The result is an annotation of feelings underscoring a dramatic approach to form and message.

Man Down

Avalon, 2021, intaglio etching on paper, 12.7 x 12.7 cm 
 
 
I’m charmed by humble objects and scenes that allow me to magnify moments which would otherwise 
be overlooked. Taking my own reference images is the most crucial part of my practice; I snap photos 
wherever I go, not wanting to forget about the chair my grandpa sat in while he took a break from gardening, or the windows I passed while walking the streets of the island that my mother grew up on. 
Knowing that these themes embody my authentic encounters is the core of my purpose. The subject 
matter extends further than my singular voice, but is sustained through the lineage that contributed to 
my reality. I work to tell our story, for all of us.

Avalon

Leisure, 2022, oil on canvas, 50.8 x 50.8 cm 
 
 
Project Description 
 
I’m charmed by humble objects and scenes that allow me to magnify moments which would otherwise 
be overlooked. Taking my own reference images is the most crucial part of my practice; I snap photos 
wherever I go, not wanting to forget about the chair my grandpa sat in while he took a break from 
gardening, or the windows I passed while walking the streets of the island that my mother grew up on. 
Knowing that these themes embody my authentic encounters is the core of my purpose. The subject 
matter extends further than my singular voice, but is sustained through the lineage that contributed to 
my reality. I work to tell our story, for all of us.

Leisure

PINK LEMONADE, 2023, Mixed Media (Acrylics and pastel oils on primed canvas), 53,5 x43 cm

PINK LEMONADE

SUNRISE, 2022, Mixed Media (Acrylics and pastel oils on canvas, 93.5 x 93.5 cm

SUNRISE

Untitled, 2022, Oil on canvas, 30 x 30 cm 
 
 
Price After Request 
 
artistshokoufeh@gmail.com

Untitled

Untitled, 2022, Oil on canvas, 30 x 30 cm 
 
 
Price After Request 
 
artistshokoufeh@gmail.com

Untitled, 2022, Mixed media on canvas, 30x30 cm 
 
Price After Request 
artistshokoufeh@gmail.com

Space Invaders 2022 Analog Collage, 54.61 X 48.26 cm 
 
 
Price After Request 
 
iamnjustisart@gmail.com 
 
 
 
Project Description 
 
My art is rooted in my experiences as a black woman and the social/racial inequities of black/brown women, comparative to that of white female counterparts when living out feminine freedoms and human rights in a white male dominated society. Each collage lends itself to the innate power found in womanhood, and the divine feminine, inclusive of those seldom celebrated complexities and nuances of female existence over time and various life occurrences. Collage materials were sourced from comics and graphic novels, calling attention to the serialized, ephemeral nature of comics, reflecting the realworld racism, sexism, and classism, that structure American society.

Space Invaders

Soft Black Wool and a Can of Whop Ass, 2022, Analog Collage, 60.96 x 39.37 cm 
 
 
Price After Request 
 
iamnjustisart@gmail.com 
 
 
 
Project Description 
 
My art is rooted in my experiences as a black woman and the social/racial inequities of black/brown women, comparative to that of white female counterparts when living out feminine freedoms and human rights in a white male dominated society. Each collage lends itself to the innate power found in womanhood, and the divine feminine, inclusive of those seldom celebrated complexities and nuances of female existence over time and various life occurrences. Collage materials were sourced from comics and graphic novels, calling attention to the serialized, ephemeral nature of comics, reflecting the realworld racism, sexism, and classism, that structure American society.

Soft Black Wool and a Can of Whop Ass

Angry or Assertive May the Bridges I Burn Light the Way

Truth In Power, 2020, Analog Collage, 45.72 x 26.67 cm 
 
 
Price After Request 
 
iamnjustisart@gmail.com 
 
 
 
Project Description 
 
My art is rooted in my experiences as a black woman and the social/racial inequities of black/brown women, comparative to that of white female counterparts when living out feminine freedoms and human rights in a white male dominated society. Each collage lends itself to the innate power found in womanhood, and the divine feminine, inclusive of those seldom celebrated complexities and nuances of female existence over time and various life occurrences. Collage materials were sourced from comics and graphic novels, calling attention to the serialized, ephemeral nature of comics, reflecting the realworld racism, sexism, and classism, that structure American society.

Truth In Power

Scattering No.01, 2022, Mixed media on canvas, 100 x 100 cm

Scattering No.01

Untact Streaming-I, 2021, Mixed media on canvas, 100 x 80 cm

Untact Streaming-I

A Rainstorm Will Not Come, 2023, Oil Pastel on paper, 22 x 31.5 cm 
 
Contact Information 
 
xlian052020@gmail.com 
 
 
Project Description 
 
I see the world as an evolving landscape of vibrating matters. When I look at the world, I am drawn to the 
ever-changing nature of water surfaces. I use oil-pastels, to create imagery of ripples through a 
repetitive process of addition and reduction. Each layer leaves its imprint on the surface, creating a 
sense of simultaneity that is difficult to fully comprehend, like the moving surface of water. Rather than 
capturing these ephemeral moments in static states, my work serves as my reflection upon the state of 
perpetual flux, and the remnant of events and energy that once took place.

A Rainstorm Will Not Come

Seeing without My Eyes, 2023, Oil Pastel on wood, 61 x 45.7 cm 
 
Contact Information 
 
xlian052020@gmail.com 
 
 
 
Project Description 
 
I see the world as an evolving landscape of vibrating matters. When I look at the world, I am drawn to the 
ever-changing nature of water surfaces. I use oil-pastels, to create imagery of ripples through a repetitive process of addition and reduction. Each layer leaves its imprint on the surface, creating a sense of simultaneity that is difficult to fully comprehend, like the moving surface of water. Rather than capturing these ephemeral moments in static states, my work serves as my reflection upon the state of perpetual flux, and the remnant of events and energy that once took place.

Seeing without My Eyes

A Flower Will Not Bloom, 2022, Oil Pastel on paper, 22 x 31.5 cm 
 
 
Contact Information 
xlian052020@gmail.com 
 
 
Project Description 
 
I see the world as an evolving landscape of vibrating matters. When I look at the world, I am drawn to the 
ever-changing nature of water surfaces. I use oil-pastels, to create imagery of ripples through a 
repetitive process of addition and reduction. Each layer leaves its imprint on the surface, creating a 
sense of simultaneity that is difficult to fully comprehend, like the moving surface of water. Rather than 
capturing these ephemeral moments in static states, my work serves as my reflection upon the state of 
perpetual flux, and the remnant of events and energy that once took place.

A Flower Will Not Bloom

Be easy on yourself, 2022, oil on canvas, 15.5 x 21 cm 
 
 
Price After Request 
 
diannaruart@gmail.com 
 
 
Project Description 
 
“Tears Still Make the Flowers Bloom” describes the journey of self imposed limitations and imposter syndrome. These were created during a time of vulnerability, something all human beings can relate to and have felt at some point in their life. These pieces are a visual representation and testament that going through the motions of this vulnerability is necessary for growth and positive change. Ultimately, the artist wishes to express that there is nothing wrong with you, as you go through these sometimes difficult, and very different, emotional landscapes. Sensitivity is a super power we should all learn to possess.

Be easy on yourself

Let go, 2022, oil on canvas, 15.5 x 23.5 cm 
 
 
 
Price After Request 
 
diannaruart@gmail.com 
 
 
Project Description 
 
“Tears Still Make the Flowers Bloom” describes the journey of self imposed limitations and imposter syndrome. These were created during a time of vulnerability, something all human beings can relate to and have felt at some point in their life. These pieces are a visual representation and testament that going through the motions of this vulnerability is necessary for growth and positive change. Ultimately, the artist wishes to express that there is nothing wrong with you, as you go through these sometimes difficult, and very different, emotional landscapes. Sensitivity is a super power we should all learn to possess.

Let go

A bouquet (for all youve been through), 2022, oil on canvas 21 x 15 cm 
 
 
Price After Request 
 
diannaruart@gmail.com 
 
 
Project Description 
 
“Tears Still Make the Flowers Bloom” describes the journey of self imposed limitations and imposter syndrome. These were created during a time of vulnerability, something all human beings can relate to and have felt at some point in their life. These pieces are a visual representation and testament that going through the motions of this vulnerability is necessary for growth and positive change. Ultimately, the artist wishes to express that there is nothing wrong with you, as you go through these sometimes difficult, and very different, emotional landscapes. Sensitivity is a super power we should all learn to possess.

A bouquet (for all youve been through)

Party, 2022, Oil on canvas, 140 x 180 cm 
 
 
Price After Request 
 
zhoumomo1993@gmail.com 
 
 
Project Description 
 
Oil on canvas works about reflections and screens, such as doors and windows with reflected human figures, and screens.

Party

The Bite, 2021, oil on canvas , 140 x 100 cm 
 
 
Price After Request 
 
info@vivienkabar.at

The Bite

Tropical Reflections 2022 Oil on canvas 121,92 x 182.88 cm 
 
 
Price After Request 
 
ballaraart@gmail.com 
 
 
Project Description 
 
The paintings reflect a lot of the tropical feeling of my area. We are surrounded by all this amazing vegetation and I love their reflection in the water. I'm also inspired by the feeling of "The Departure", it's a bit more subtle on the tropical but more on the mystery and story

Tropical Reflections

The Departure, 2022, Oil on canvas, 121,92 x 121,92 cm 
 
 
Price After Request 
 
ballaraart@gmail.com 
 
 
 
Project Description 
 
The paintings reflect a lot of the tropical feeling of my area. We are surrounded by all this amazing vegetation and I love their reflection in the water. I'm also inspired by the feeling of "The Departure", it's a bit more subtle on the tropical but more on the mystery and story

The Departure

Two Palms and Two Benches, 2022, oil on canvas, 121.92 x 121.92 cm 
 
 
Price After Request 
 
ballaraart@gmail.com 
 
 
Project Description 
 
The paintings reflect a lot of the tropical feeling of my area. We are surrounded by all this amazing vegetation and I love their reflection in the water. I'm also inspired by the feeling of "The Departure", it's a bit more subtle on the tropical but more on the mystery and story

Two Palms and Two Benches

Endless Summer 2022 Oil on canvas 48x48cm

Endless Summer

Sergeant Andrew, 2023, Acrylic on Canvas panel board, 20.32 x 25.40 cm 
 
 
Price After Request 
 
nessamoore@hotmail.com 
 
 
Project Description 
 
This was intended to document my lover's dissatisfaction with his security guard job and general stage in life. I explained to him that I believe we will look back on this uncertain time in our lives later and see the beauty in us striving for better and not knowing where we are going. This was painted within 2 hours while I was on the clock at my own job. I do not paint all that often but when I do it is inspired by my admiration for him.

Sergeant Andrew

Daydreaming, 2021, photography, 40 x 60 cm 
 
 
My work explores the intersection of philosophy, reality, and perspective. Through my lens, I seek to capture moments and scenes that challenge the viewer’s preconceived notions and encourage them to reconsider their perspective on the world. Whether through still images or moving pictures, I aim to create a visceral and emotional response in the viewer that opens them up to new possibilities and ways of seeing.

Daydreaming

Yummi, 2022, digital art on canvas, 16 x 12 cm 
 
 
Price After Request 
0weiranyao0@gmail.com

Yummi

Voyeur, 2022 Oil on canvas 160 x 120 cm 
 
 
Price After Request 
 
zhoumomo1993@gmail.com 
 
 
Project Description 
 
Oil on canvas works about reflections and screens, such as doors and windows with reflected human figures, and screens.

Voyeur

Opportunity, 2023, Oil on canvas, 160 x 120 cm 
 
 
Price After Request 
 
zhoumomo1993@gmail.com 
 
 
Project Description 
 
Oil on canvas works about reflections and screens, such as doors and windows with reflected human figures, and screens.

Opportunity

Room I
'Reflections' it's a virtual group art show with 40 participants from all over the world. The event exhibits are painting, drawing, photography and digital and fiber art.

Hope to enjoy our virtual exhibition!

Reflections Edition II